Laura Vaughan (viola da gamba), Elizabeth Anderson (harpsichord)
Considering the fame of Bach’s solo violin partitas and his solo cello suites, it is remarkable how his sonatas for viola da gamba and keyboard remain in the shadows, at best, of most music-lovers’ consciousness. The fact that some of the material in them originated elsewhere in Bach’s output hardly explains the neglect in which they have tended to lie.
MD 3396