{"title":"Buywell Catalogue","description":"","products":[{"product_id":"lassus-choral-music","title":"Lassus Choral Music [3CD]","description":"\u003cp\u003eThree original Argo and Decca albums compiled together for the first time: Lassus with an English accent.\u003c\/p\u003e\n\u003cp\u003eFive Eloquence albums dedicated to the art of Simon Preston were enthusiastically welcomed by the press in 2018, featuring in 'Best Of' end-of-year selections in \u003cem\u003eGramophone\u003c\/em\u003e and online.\u003c\/p\u003e\n\u003cp\u003eIn 1970, Preston became Organist and Choirmaster at the Cathedral of Christ Church Oxford and the Argo recordings that resulted pay eloquent testament to his gifts as a choir trainer. A pair of them featured music by the most fluent of the Low Countries polyphonists, Orlando Lassus. The first was made in 1973, and widely recognised as a landmark album for its clarity of inner-part voicing and vivid sensitivity to Lassus's word-painting. A sequel followed two years later, pairing the fifth of the Penitential Psalms with some of the motets for which the composer is best known, such as the splendid 'Omnes de Saba venient' and 'Alma Redemptoris Mater' with its soaring top line ideally suited to an English cathedral treble line. A Decca album of three Masses made two decades later, enables instructive comparisons to be made between the pointed attack of Preston's Christ Church choir in this music with the much smoother euphony of King's College, Cambridge.\u003c\/p\u003e\n\u003cp\u003eCommentators habitually rank Lassus's Masses well below his motets but nothing in the Masses heard here discloses Lassus at anything less than the height of his powers. Both '\u003cem\u003eMissa Bell' Amfitrit Altera'\u003c\/em\u003eand '\u003cem\u003eMissa Vinum Bonum'\u003c\/em\u003e are conceived for double choir - each choir being in SATB formation - and they accordingly show a greater opulence than most of their companions. New booklet notes introduce Lassus' life and work, written by the renowned scholar of Renaissance polyphony, R.J. Stove.\u003c\/p\u003e\n\u003cp\u003e***\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eEloquence 3CD set\u003c\/em\u003e\u003cbr\u003e\u003cem\u003e4828566\u003c\/em\u003e\u003cbr\u003e\u003c\/p\u003e","brand":"Buywell Music","offers":[{"title":"Default Title","offer_id":14641458118719,"sku":"4828566","price":19.95,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0079\/6527\/8271\/products\/4828566_LassusChoralMusic_PrestonCleobury.jpg?v=1555486948"},{"product_id":"jeanne-demessieux-decca-legacy-8cd","title":"Jeanne Demessieux - Decca Legacy [8CD]","description":"\u003cp\u003e\u003cspan\u003eFrom her legendary debut through the succeeding years, Jeanne Demessieux brought virtuosity allied to intellect and sensitivity, and went on to become the glory of the French organ school. This 8-CD celebration of one of the instrument’s most spoken-of, yet enigmatic figures, brings together for the first time her complete Decca recordings and a previously unpublished BBC Radio broadcast, and is released to mark the centenary of her birth.\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan\u003eIt includes Demessieux’s legendary Franck recordings; her recordings from St. Mark’s, North Audley Street, London, many released for the first time since the original 78s; little-known recordings of sacred songs with Demessieux accompanying the Belgian soprano, Suzanne Danco; and an improvisation on a submitted theme from the only extant BBC radio broadcast with Demessieux, which also includes Bach, Buxtehude, Widor and Messiaen.\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan\u003eAll recordings have been carefully remastered by Mark Obert-Thorn and Chris Bernauer.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eThe accompanying booklet includes details of Demessieux’s unpublished recordings, rare photos and facsimiles of some of her programs, extensive notes, including details of some of the recording sessions; and notes on the instruments and full specifications for each of the five organs.\u003c\/span\u003e\u003c\/p\u003e","brand":"Buywell Music","offers":[{"title":"Default Title","offer_id":39582426857635,"sku":"4841424","price":34.95,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0079\/6527\/8271\/products\/4841424_Demessieux.jpg?v=1617148852"},{"product_id":"mendelssohn-string-quartets","title":"Mendelssohn String Quartets","description":"\u003ch3\u003e\u003cstrong\u003eFelix Mendelssohn: String Quartets\u003c\/strong\u003e\u003c\/h3\u003e\n\u003cp\u003eString Quartets 1 and 2, Lieder transcriptions\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eTinalley String Quartet, Greta Bradman (soprano)\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e*** ***\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTrack Listing:\u003c\/strong\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003eFelix Mendelssohn\u003cbr\u003e\u003cbr\u003eString Quartet No. 1 in E flat major, Op. 12\u003cbr\u003eString Quartet No. 2 in A minor, Op. 13\u003cbr\u003eAuf Flügeln des Gesanges (Arr. Bowman)\u003cbr\u003eSuleika (Arr. Bowman)\u003cbr\u003eLieder ohne Worte, Op. 30, No. 2 - arr. for string quartet\u003cbr\u003eLieder ohne Worte, Op. 19, No. 4 - arr. for string quartet\u003cbr\u003eFrage, Op. 9 No. 1\u003c\/p\u003e\n\u003cp\u003eDecca CD\u003cbr\u003e4817967\u003cbr\u003e\u003c\/p\u003e","brand":"Buywell Music","offers":[{"title":"Default Title","offer_id":41965354549411,"sku":"4817967","price":15.0,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0079\/6527\/8271\/products\/eyJidWNrZXQiOiJwcmVzdG8tY292ZXItaW1hZ2VzIiwia2V5IjoiODU0NjU1OS4xLmpwZyIsImVkaXRzIjp7InJlc2l6ZSI6eyJ3aWR0aCI6OTAwfSwianBlZyI6eyJxdWFsaXR5Ijo2NX0sInRvRm9ybWF0IjoianBlZyJ9LCJ0aW1lc3RhbXA.jpg?v=1638857155"},{"product_id":"ravel-and-debussy-string-quartets","title":"Ravel and Debussy String Quartets","description":"\u003ch3\u003e\u003cstrong\u003eRavel and Debussy String Quartets\u003c\/strong\u003e\u003c\/h3\u003e\n\u003cp\u003e\u003cspan\u003eTinalley String Quartet\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e\u003c\/em\u003e\u003cstrong\u003eContents:\u003c\/strong\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003eClaude Debussy: String Quartet in G minor, Op. 10\u003cbr\u003eMaurice Ravel: String Quartet in F major\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e*** ***\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eDecca CD\u003cbr\u003e4816906\u003cbr\u003e\u003c\/p\u003e","brand":"Buywell Music","offers":[{"title":"Default Title","offer_id":41965374668963,"sku":"4816906","price":15.0,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0079\/6527\/8271\/products\/eyJidWNrZXQiOiJwcmVzdG8tY292ZXItaW1hZ2VzIiwia2V5IjoiODU0OTcxNC4xLmpwZyIsImVkaXRzIjp7InRvRm9ybWF0IjoianBlZyJ9LCJ0aW1lc3RhbXAiOjE1NTA3NjkwMzd9.jpg?v=1638857342"},{"product_id":"wolfgang-holzmair-the-philips-recordings","title":"Wolfgang Holzmair - The Philips Recitals [13CD]","description":"\u003ch3\u003eWolfgang Holzmair - The Philips Recitals\u003c\/h3\u003e\n\u003cp\u003e\u003cstrong\u003eLimited edition 13CD set\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"UTF-8\"\u003e\u003cmeta charset=\"UTF-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eFrom Haydn to Eisler: the collected Philips recordings of Wolfgang Holzmair, a supreme art-song interpreter, including many long-deleted albums.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003eWolfgang Holzmair has long been recognised as one of today’s most accomplished and intelligent Lieder singers. He brings a refinement and subtlety to his performances worthy of the great German Lieder baritones, but it is the silky elegance of his voice that has always seduced listeners and critics: the golden, tenorial top as well as his rich, soulful lower register.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003eIn celebration of his 70th birthday, this set brings together his complete Philips recitals for the first time, as well as his 1995 recording for \u003c\/span\u003e\u003cem data-mce-fragment=\"1\"\u003eKoch of the Hollywood Songbook\u003c\/em\u003e\u003cspan data-mce-fragment=\"1\"\u003e by Hanns Eisler. The box is ordered by musical chronology, beginning with the folksong-like simplicity of Haydn’s solo-vocal idiom, a quartet of exquisite Mozart Lieder and the Beethoven cycle – An die ferne Geliebte – that became the keystone for the Romantic art song tradition. \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"UTF-8\"\u003e\u003cstrong\u003eTRACK LIST:\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"UTF-8\"\u003e\u003cspan\u003eCD 1 \u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan\u003eLUDWIG VAN BEETHOVEN (1770–1827)\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan\u003eAdelaïde, Op. 46 \u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan\u003eWOLFGANG AMADEUS MOZART (1756–1791)\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan\u003eDas Veilchen \u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan\u003eAn Chloë \u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan\u003eDas Traumbild \u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan\u003eDie betrogene Welt \u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan\u003eJOSEPH HAYDN (1732–1809)\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan\u003eLob der Faulheit \u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan\u003eGegenliebe \u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan\u003eTrost unglücklicher Liebe \u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan\u003eDie zu späte Ankunft der Mutter \u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan\u003eWOLFGANG AMADEUS MOZART (1756–1791)\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan\u003eKleine deutsche Kantate: Die ihr unermesslichen Weltalls Schöpfer ehrt \u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan\u003eJOSEPH HAYDN (1732–1809)\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan\u003eO tuneful voice \u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan\u003eSailor’s Song \u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan\u003eSympathy \u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan\u003eThe Spirit’s Song \u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan\u003eFidelity \u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan\u003eContent \u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan\u003ePiercing Eyes \u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan\u003eShe never told her love \u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan\u003eLUDWIG VAN BEETHOVEN (1770–1827)\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan\u003eAn die ferne Geliebte, Op. 98 \u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan\u003eWolfgang Holzmair, baritone\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan\u003eImogen Cooper, piano\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan\u003eCD 2 \u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan\u003eLUDWIG VAN BEETHOVEN (1770–1827)\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan\u003eFOLK SONGS\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan\u003eThe sweetest lad was Jamie \u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan\u003eAgain, my Lyre \u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan\u003eWaken Lords and Ladies gay \u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan\u003eOh! Who, my dear Dermot \u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan\u003eThe Elfin Fairies \u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan\u003eFaithfu’ Johnie \u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan\u003eThe Deserter \u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan\u003eWhen mortals all to rest retire \u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan\u003eCome fill, fill, my good fellow \u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan\u003eThe kiss, dear Maid, thy lip has left \u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan\u003eWhen far from the home \u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan\u003eMorning a cruel turmoiler is \u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan\u003eSunset \u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan\u003eOh! Sweet were the hours \u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan\u003eCupid’s kindness \u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan\u003eOn the massacre of Glencoe \u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan\u003eThe Return to Ulster \u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan\u003eThe Pulse of an Irishman \u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan\u003eThe Parting Kiss \u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan\u003eGood Night \u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan\u003eWolfgang Holzmair, baritone\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan\u003eTrio Fontenay\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan\u003eCD 3 \u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan\u003eFRANZ SCHUBERT (1797–1828)\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan\u003eDie schöne Müllerin, D.795 \u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan\u003eWolfgang Holzmair, baritone\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan\u003eImogen Cooper, piano\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan\u003eCD 4 \u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan\u003eFRANZ SCHUBERT (1797–1828)\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan\u003eWinterreise, D.911 \u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan\u003eWolfgang Holzmair, baritone\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan\u003eImogen Cooper, piano\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan\u003eCD 5 \u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan\u003eFRANZ SCHUBERT (1797–1828)\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan\u003eSchwanengesang, D.957 \u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan\u003e5 Seidl-Lieder\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan\u003eDie Taubenpost \u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan\u003eDer Wanderer an den Mond, D.870 \u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan\u003eSehnsucht, D.879 \u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan\u003eIrdisches Glück, D.866 No. 4\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan\u003eWiderspruch, D.865 \u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan\u003e9 Rellstab-Lieder\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan\u003eLebensmut, D.937 \u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan\u003eLiebesbotschaft \u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan\u003eKriegers Ahnung \u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan\u003eFrühlingssehnsucht \u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan\u003eStändchen \u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan\u003eAufenthalt \u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan\u003eHerbst, D.945 \u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan\u003eIn der Ferne \u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan\u003eAbschied \u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan\u003e6 Heine-Lieder\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan\u003eDer Atlas \u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan\u003eIhr Bild \u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan\u003eDas Fischermädchen \u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan\u003eAm Meer \u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan\u003eDie Stadt\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan\u003eDer Doppelgänger \u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan\u003e2 Seidl-Lieder\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan\u003eDie Taubenpost \u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan\u003eWiegenlied, D.867 \u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan\u003eWolfgang Holzmair, baritone\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan\u003eImogen Cooper, piano\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan\u003eCD 6 \u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan\u003eROBERT SCHUMANN (1810–1856)\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan\u003eLieder auf Gedichte von Heinrich Heine\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan\u003eMein Wagen rollet langsam, Op. 142 No. 4 \u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan\u003eDer arme Peter, Op. 53 No. 3 \u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan\u003eDu bist wie eine Blume, Op. 25 No. 24 \u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan\u003eTragödie, Op. 64 No. 3 \u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan\u003eLehn deine Wang, Op. 142 No. 2 \u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan\u003eWas will die einsame Träne, Op. 25 No. 21 \u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan\u003eDie Lotosblume, Op. 25 No. 7 \u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan\u003eLiederkreis, Op. 24 \u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan\u003eDichterliebe, Op. 48 \u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan\u003eWolfgang Holzmair, baritone\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan\u003eImogen Cooper, piano\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan\u003eCD 7 \u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan\u003eROBERT SCHUMANN (1810–1856)\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan\u003eZwölf Gedichte von Justinus Kerner, Op. 35 \u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan\u003eWidmung, Op. 25 No. 1 \u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan\u003eCLARA SCHUMANN (1819–1896)\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan\u003eDie stille Lotosblume, Op. 13 No. 6 \u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan\u003eO Lust, O Lust, Op. 23 No. 6 \u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan\u003eROBERT SCHUMANN (1810–1856)\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan\u003eDer Himmel hat eine Träne geweint, Op. 37 No. 1 \u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan\u003eCLARA SCHUMANN (1819–1896)\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan\u003eGeheimes Flüstern hier und dort, Op. 23 No. 3 \u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan\u003eROBERT SCHUMANN (1810–1856)\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan\u003eFreisinn, Op. 25 No. 2 \u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan\u003eCLARA SCHUMANN (1819–1896)\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan\u003eSie liebten sich beide, Op. 13 No. 2 \u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan\u003eROBERT SCHUMANN (1810–1856) \u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan\u003eVenetianisches Lied I, Op. 25 No. 17 \u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan\u003eVenetianisches Lied II, Op. 25 No. 18 \u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan\u003eDer Nuβbaum, Op. 25 No. 3 \u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan\u003eAus dem Schenkenbuch im Divan I, Op. 25 No. 5 \u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan\u003eAus dem Schenkenbuch im Divan II, Op. 25 No. 6 \u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan\u003eCLARA SCHUMANN (1819–1896)\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan\u003eAn einem lichten Morgen, Op. 23 No. 2 \u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan\u003eROBERT SCHUMANN (1810–1856)\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan\u003eIch hab’ in mich gesogen, Op. 37 No. 5 \u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan\u003eCLARA SCHUMANN (1819–1896)\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan\u003eLiebeszauber, Op. 13 No. 3 \u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan\u003eLiebst du um Schönheit, Op. 12 No. 2 \u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan\u003eROBERT SCHUMANN (1810–1856)\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan\u003eAus den ‘Östlichen Rosen’, Op. 25 No. 25 \u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan\u003eRose, Meer und Sonne, Op. 37 No. 9 \u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan\u003eZum Schluss, Op. 25 No. 26\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan\u003eWolfgang Holzmair, baritone\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan\u003eImogen Cooper, piano\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan\u003eCD 8\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan\u003eEICHENDORFF LIEDER \u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan\u003eFELIX MENDELSSOHN (1809–1847)\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan\u003eDas Waldschloβ \u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan\u003ePagenlied, Op. posth. \u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan\u003eROBERT FRANZ (1815–1892)\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan\u003eGute Nacht, Op. 5 No. 7 \u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan\u003eJagdlied, Op. 1 No. 9 \u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan\u003eFELIX MENDELSSOHN (1809–1847)\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan\u003eNachtlied, Op. 71 No. 6 \u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan\u003eWanderlied, Op. 57 No. 4 \u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan\u003eROBERT SCHUMANN (1810–1856)\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan\u003eLiederkreis, Op. 39 \u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan\u003eARIBERT REIMANN (b. 1936)\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan\u003eNachtstück \u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan\u003eHUGO WOLF (1860–1903)\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan\u003eGedichte von Joseph v. Eichendorff \u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan\u003eALEXANDER VON ZEMLINSKY (1871–1942)\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan\u003eVor der Stadt \u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan\u003eERICH WOLFGANG KORNGOLD (1897–1957)\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan\u003eNachtwanderer, Op. 9 No. 2 \u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan\u003eHANS PFITZNER (1869–1949)\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan\u003eIm Herbst, Op. 9 No. 3 \u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan\u003eLockung, Op. 9 No. 4 \u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan\u003eZum Abschied meiner Tochter \u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan\u003eOTHMAR SCHOECK (1886–1957)\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan\u003eNachruf \u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan\u003eWolfgang Holzmair, baritone\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan\u003eImogen Cooper, piano\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan\u003eCD 9 \u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan\u003eERNST KRENEK (1900–1991)\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan\u003eReisebuch aus den österreichischen Alpen, Op. 62 \u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan\u003eFiedellieder aus dem ‘Liederbuch dreier Freunde’, Op. 64 \u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan\u003eWolfgang Holzmair, baritone\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan\u003eGérard Wyss, piano\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan\u003eCD 10 \u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan\u003eHANNS EISLER (1898–1962)\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan\u003eHollywood Songbook \u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan\u003eWolfgang Holzmair, baritone\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan\u003ePeter Stamm, piano\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan\u003eCD 11 \u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan\u003eGABRIEL FAURÉ (1845–1924)\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan\u003eShylock, Op. 57 (excerpts) \u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan\u003ePrison, Op. 83 No. 1 \u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan\u003eEn sourdine, Op. 58 No. 2 \u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan\u003ePoème d’un jour, Op. 21 \u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan\u003eLa Bonne Chanson, Op. 61 \u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan\u003eMirages, Op. 113 \u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan\u003eHENRI DUPARC (1848–1933)\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan\u003eSérénade 2’38\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan\u003eChanson triste \u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan\u003eLe manoir de Rosemonde \u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan\u003eSoupir 3’11\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan\u003eExtase 3’15\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan\u003eL’invitation au voyage \u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan\u003eMAURICE RAVEL (1875–1937)\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan\u003eCinq Mélodies populaires grecques \u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan\u003eWolfgang Holzmair, baritone\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan\u003eGérard Wyss, piano\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan\u003eCD 12 \u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan\u003eCHANSONS FRANÇAISES \u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan\u003eHECTOR BERLIOZ (1803–1869)\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan\u003eLes Nuits d’été, Op. 7, H.81 (excerpts)\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan\u003eERNEST CHAUSSON (1855–1899)\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan\u003eLe Colibri, Op. 2 No. 7 \u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan\u003eLes Papillons, Op. 2 No. 3 \u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan\u003eSérénade italienne, Op. 2 No. 5 \u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan\u003eJACQUES IBERT (1890–1962)\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan\u003eChanson à Dulcinée \u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan\u003eMAURICE RAVEL (1875–1937)\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan\u003eDon Quichotte à Dulcinée, M.84 \u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan\u003eJACQUES IBERT (1890–1962)\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan\u003eChanson de la mort de Don Quichotte \u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan\u003eCLAUDE DEBUSSY (1862–1918)\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan\u003eDeux Romances sur la poésie de Paul Bourget, L.79 \u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan\u003eTrois chansons de France, L.102 \u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan\u003eHENRI DUPARC (1848–1933)\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan\u003ePhidylé \u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan\u003eLamento\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan\u003eLa vie antérieure \u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan\u003eEUGÈNE ANTHIOME (1836–1916)\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan\u003eDeux melodies \u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan\u003eGABRIEL FAURÉ (1845–1924)\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan\u003eLes berceaux, Op. 23 No. 1 \u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan\u003eL’Horizon chimérique, Op. 118 \u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan\u003eWolfgang Holzmair, baritone\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan\u003eMaria Belooussova, piano\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan\u003eCD 13 \u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan\u003eJOHANNES BRAHMS (1833–1897)\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan\u003eEin deutsches Requiem, Op. 45 \u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan\u003eElizabeth Norberg-Schulz, soprano\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan\u003eWolfgang Holzmair, baritone\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan\u003eSan Francisco Symphony Chorus\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan\u003eSan Francisco Symphony Orchestra\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan\u003eHerbert Blomstedt\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e***\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eEloquence 13CD Set\u003c\/em\u003e\u003cbr\u003e\u003cem\u003e\u003cspan data-mce-fragment=\"1\"\u003e4844474\u003c\/span\u003e\u003c\/em\u003e\u003c\/p\u003e","brand":"Buywell Music","offers":[{"title":"Default Title","offer_id":42347160141987,"sku":"4844474","price":42.95,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0079\/6527\/8271\/products\/4844474_HolzmairPhilipsRecitals.jpg?v=1648099836"},{"product_id":"mahler-symphony-no-2-sso-young-2lp","title":"Mahler Symphony No. 2 - SSO, Young [2LP]","description":"\u003ch2\u003eGustav Mahler: Symphony No. 2\u003c\/h2\u003e\n\u003ch2\u003eWilliam Barton: Of the Earth\u003c\/h2\u003e\n\u003cp\u003eSydney Symphony Orchestra, Simone Young\u003c\/p\u003e\n\u003cp class=\"western\" align=\"left\"\u003e\u003cspan style=\"font-family: Calibri, serif;\"\u003e\u003cspan style=\"font-size: small;\"\u003e\u003cspan style=\"font-size: medium;\"\u003e***\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"western\" align=\"left\"\u003e\u003cspan style=\"font-family: Calibri, serif;\"\u003e\u003cspan style=\"font-size: small;\"\u003e\u003cspan style=\"font-size: medium;\"\u003eTHE CELEBRATED CONCERT THAT MARKED THE RE-OPENING OF THE SYDNEY OPERA HOUSE CONCERT HALL\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"western\" align=\"left\"\u003e\u003cspan style=\"font-family: Calibri, serif;\"\u003e\u003cspan style=\"font-size: small;\"\u003e\u003cspan style=\"font-size: medium;\"\u003eIn July 2022 the Concert Hall of the iconic Sydney Opera House re-opened after a major renovation which took over two years. The revamped acoustic of the Concert Hall was greeted with great acclaim.\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"western\" align=\"left\"\u003e\u003cspan style=\"font-family: Calibri, serif;\"\u003e\u003cspan style=\"font-size: small;\"\u003e\u003cspan style=\"font-size: medium;\"\u003eThe Concert Hall reopened with the Sydney Symphony Orchestra performing Mahler’s monumental Symphony No. 2 “Resurrection”, under the direction of the Orchestra’s Chief Conductor, Simone Young. Completing the concert program was “Of the Earth”, by indigenous Australian composer William Barton, specially commissioned for the occasion.\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"western\" align=\"left\"\u003e\u003cspan style=\"font-family: Calibri, serif;\"\u003e\u003cspan style=\"font-size: small;\"\u003e\u003cspan style=\"font-size: medium;\"\u003eThis recording marks Simone Young and the Sydney Symphony Orchestra’s debut on the Deutsche Grammophon label. Rave, exultant reviews greeted these outstanding performances, captured live, and now presented to the world by Deutsche Grammophon.\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"western\" align=\"left\"\u003e“\u003cspan style=\"font-family: Calibri, serif;\"\u003e\u003cspan style=\"font-size: small;\"\u003e\u003cspan style=\"font-family: Arial, serif;\"\u003e\u003cspan lang=\"en-AU\"\u003eThis is a sound for the generations – for the next hundred years…” \u003c\/span\u003e\u003c\/span\u003e\u003cspan style=\"font-family: Arial, serif;\"\u003e\u003cspan lang=\"en-AU\"\u003e\u003ci\u003eSydney Morning Herald\u003c\/i\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"western\" align=\"left\"\u003e“\u003cspan style=\"font-family: Calibri, serif;\"\u003e\u003cspan style=\"font-size: small;\"\u003e\u003cspan style=\"font-family: Arial, serif;\"\u003e\u003cspan lang=\"en-AU\"\u003eA performance of this symphony is always an occasion. Young’s and the SSO’s magnificent account captured both the vast emotional range and intricate musical complexities of this gigantic symphonic fresco.” \u003c\/span\u003e\u003c\/span\u003e\u003cspan style=\"font-family: Arial, serif;\"\u003e\u003cspan lang=\"en-AU\"\u003e\u003ci\u003eThe Australian\u003c\/i\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eWorks:\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eMahler: Symphony No. 2 \"Resurrection\"\u003cbr\u003eBarton: Of the Earth\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003ePerformers:\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp class=\"western\" align=\"left\"\u003e\u003cspan style=\"font-family: Calibri, serif;\"\u003e\u003cspan style=\"font-size: medium;\"\u003eNicole Car, soprano\u003cbr\u003e\u003c\/span\u003e\u003c\/span\u003e\u003cspan style=\"font-family: Calibri, serif;\"\u003e\u003cspan style=\"font-size: medium;\"\u003eDeborah Humble, mezzo-soprano\u003cbr\u003e\u003c\/span\u003e\u003c\/span\u003e\u003cspan style=\"font-family: Calibri, serif;\"\u003e\u003cspan style=\"font-size: medium;\"\u003eSydney Philharmonia Choirs\u003cbr\u003e\u003c\/span\u003e\u003c\/span\u003e\u003cspan style=\"font-family: Calibri, serif;\"\u003e\u003cspan style=\"font-size: medium;\"\u003eSydney Children’s Choir\u003cbr\u003e\u003c\/span\u003e\u003c\/span\u003e\u003cspan style=\"font-family: Calibri, serif;\"\u003e\u003cspan style=\"font-size: medium;\"\u003eGondwana Indigenous Children’s Choir\u003cbr\u003e\u003c\/span\u003e\u003c\/span\u003e\u003cspan style=\"font-family: Calibri, serif;\"\u003e\u003cspan style=\"font-size: medium;\"\u003eSydney Symphony Orchestra\u003cbr\u003e\u003c\/span\u003e\u003c\/span\u003e\u003cspan style=\"font-family: Calibri, serif;\"\u003e\u003cspan style=\"font-size: medium;\"\u003eSIMONE YOUNG (conductor)\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eDeutsche Grammophon 2LP\u003c\/li\u003e\n\u003cli\u003e\u003cspan\u003e4877484\u003c\/span\u003e\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"Buywell Music","offers":[{"title":"Default Title","offer_id":45557835301027,"sku":"4877484","price":74.95,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0079\/6527\/8271\/files\/4876842_SSO_Mahler_CD_Cover.png?v=1738109512"},{"product_id":"mahler-symphony-no-2-sso-young-2cd","title":"Mahler Symphony No. 2 - SSO, Young [2CD]","description":"\u003ch2\u003eGustav Mahler: Symphony No. 2\u003c\/h2\u003e\n\u003ch2\u003eWilliam Barton: Of the Earth\u003c\/h2\u003e\n\u003cp\u003eSydney Symphony Orchestra, Simone Young\u003c\/p\u003e\n\u003cp class=\"western\" align=\"left\"\u003e\u003cspan style=\"font-family: Calibri, serif;\"\u003e\u003cspan style=\"font-size: small;\"\u003e\u003cspan style=\"font-size: medium;\"\u003e***\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"western\" align=\"left\"\u003e\u003cspan style=\"font-family: Calibri, serif;\"\u003e\u003cspan style=\"font-size: small;\"\u003e\u003cspan style=\"font-size: medium;\"\u003eTHE CELEBRATED CONCERT THAT MARKED THE RE-OPENING OF THE SYDNEY OPERA HOUSE CONCERT HALL\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"western\" align=\"left\"\u003e\u003cspan style=\"font-family: Calibri, serif;\"\u003e\u003cspan style=\"font-size: small;\"\u003e\u003cspan style=\"font-size: medium;\"\u003eIn July 2022 the Concert Hall of the iconic Sydney Opera House re-opened after a major renovation which took over two years. The revamped acoustic of the Concert Hall was greeted with great acclaim.\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"western\" align=\"left\"\u003e\u003cspan style=\"font-family: Calibri, serif;\"\u003e\u003cspan style=\"font-size: small;\"\u003e\u003cspan style=\"font-size: medium;\"\u003eThe Concert Hall reopened with the Sydney Symphony Orchestra performing Mahler’s monumental Symphony No. 2 “Resurrection”, under the direction of the Orchestra’s Chief Conductor, Simone Young. Completing the concert program was “Of the Earth”, by indigenous Australian composer William Barton, specially commissioned for the occasion.\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"western\" align=\"left\"\u003e\u003cspan style=\"font-family: Calibri, serif;\"\u003e\u003cspan style=\"font-size: small;\"\u003e\u003cspan style=\"font-size: medium;\"\u003eThis recording marks Simone Young and the Sydney Symphony Orchestra’s debut on the Deutsche Grammophon label. Rave, exultant reviews greeted these outstanding performances, captured live, and now presented to the world by Deutsche Grammophon.\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"western\" align=\"left\"\u003e“\u003cspan style=\"font-family: Calibri, serif;\"\u003e\u003cspan style=\"font-size: small;\"\u003e\u003cspan style=\"font-family: Arial, serif;\"\u003e\u003cspan lang=\"en-AU\"\u003eThis is a sound for the generations – for the next hundred years…” \u003c\/span\u003e\u003c\/span\u003e\u003cspan style=\"font-family: Arial, serif;\"\u003e\u003cspan lang=\"en-AU\"\u003e\u003ci\u003eSydney Morning Herald\u003c\/i\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"western\" align=\"left\"\u003e“\u003cspan style=\"font-family: Calibri, serif;\"\u003e\u003cspan style=\"font-size: small;\"\u003e\u003cspan style=\"font-family: Arial, serif;\"\u003e\u003cspan lang=\"en-AU\"\u003eA performance of this symphony is always an occasion. Young’s and the SSO’s magnificent account captured both the vast emotional range and intricate musical complexities of this gigantic symphonic fresco.” \u003c\/span\u003e\u003c\/span\u003e\u003cspan style=\"font-family: Arial, serif;\"\u003e\u003cspan lang=\"en-AU\"\u003e\u003ci\u003eThe Australian\u003c\/i\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eWorks:\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eMahler: Symphony No. 2 \"Resurrection\"\u003cbr\u003eBarton: Of the Earth\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003ePerformers:\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp class=\"western\" align=\"left\"\u003e\u003cspan style=\"font-family: Calibri, serif;\"\u003e\u003cspan style=\"font-size: medium;\"\u003eNicole Car, soprano\u003cbr\u003e\u003c\/span\u003e\u003c\/span\u003e\u003cspan style=\"font-family: Calibri, serif;\"\u003e\u003cspan style=\"font-size: medium;\"\u003eDeborah Humble, mezzo-soprano\u003cbr\u003e\u003c\/span\u003e\u003c\/span\u003e\u003cspan style=\"font-family: Calibri, serif;\"\u003e\u003cspan style=\"font-size: medium;\"\u003eSydney Philharmonia Choirs\u003cbr\u003e\u003c\/span\u003e\u003c\/span\u003e\u003cspan style=\"font-family: Calibri, serif;\"\u003e\u003cspan style=\"font-size: medium;\"\u003eSydney Children’s Choir\u003cbr\u003e\u003c\/span\u003e\u003c\/span\u003e\u003cspan style=\"font-family: Calibri, serif;\"\u003e\u003cspan style=\"font-size: medium;\"\u003eGondwana Indigenous Children’s Choir\u003cbr\u003e\u003c\/span\u003e\u003c\/span\u003e\u003cspan style=\"font-family: Calibri, serif;\"\u003e\u003cspan style=\"font-size: medium;\"\u003eSydney Symphony Orchestra\u003cbr\u003e\u003c\/span\u003e\u003c\/span\u003e\u003cspan style=\"font-family: Calibri, serif;\"\u003e\u003cspan style=\"font-size: medium;\"\u003eSIMONE YOUNG (conductor)\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eDeutsche Grammophon 2CD set\u003c\/li\u003e\n\u003cli\u003e\u003cspan\u003e4876842\u003c\/span\u003e\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"Buywell Music","offers":[{"title":"Default Title","offer_id":45557842215075,"sku":"4876842","price":30.0,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0079\/6527\/8271\/files\/4876842_SSO_Mahler_CD_Cover.png?v=1738109512"},{"product_id":"samuel-marino-lumina","title":"Samuel Marino - Lumina","description":"\u003ch3 class=\"title\"\u003eLumina\u003c\/h3\u003e\n\u003cp\u003eSamuel Marino (male soprano)\u003c\/p\u003e\n\u003cp\u003eOne of only a handful of male sopranos in the world today, Mariño is known for his natural high voice and gender-defying performances. As a teenager, he was bullied for his high speaking voice and briefly considered medical intervention before being encouraged to pursue singing instead. That same voice has since taken him around the world, with a sparkling opera career underway and his second album on a major label.\u003c\/p\u003e\n\u003cp\u003eThe album features works by Handel, Caccini, Dvořák, Liszt, Strauss, Rachmaninov, and Piaf, as well as Mariño’s own arrangements of “The Last Rose of Summer” and “Baïlèro” from Joseph Canteloube’s Chants d’Auvergne. Many of the arias were originally written for female voices and are heard here for the first time performed by a male soprano.\u003c\/p\u003e\n\u003cp\u003eThe album reflects a new chapter in Mariño’s journey as a singer, one that moves toward a more lyrical and intimate sound. “I have been growing as a singer. When I was younger it was more fun to sing the virtuosic repertoire, but today I’m 31 and I want to lead my instrument into something more lyrical, more ethereal,” says Samuel.\u003c\/p\u003e\n\u003cp\u003eRecorded with conductor Ben Palmer, the Covent Garden Sinfonia and pianist Jonathan Ware, the album explores both sweeping orchestral textures and quiet piano-led moments.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong style=\"font-size: 0.875rem;\"\u003eContents:\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eHANDEL: Rinaldo, HWV 7: Lascia ch'io pianga\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eSCHUBERT: Ave Maria, D. 839 (Arr. Hazell)\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eMONNOT\/PIAF: Hymne à l'amour\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eDVOŘÁK: Rusalka, Op. 114, B. 203, Act I: Song to the Moon\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eLISZT: Oh! quand je dors, S. 282 (2nd Version)\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eCACCINI: Amarilli, mia bella\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eGOUNOD: Ave Maria, G 89a (After J.S. Bach: Prelude in C Major, BWV 846) (Arr. Hazell)\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eHAHN: À Chloris\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eHANDEL: Serse, HWV 40: Ombra mai fu \"Largo\"\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eCANTELOUBE: Chants d'Auvergne, Vol. 1: Baïlèro\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eR. STRAUSS: Morgen!, Op. 27 No. 4\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eTRADITIONAL: The Last Rose of Summer\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eRACHMANINOFF: Vocalise (Arr. Braden)\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cstrong\u003eARTISTS\u003c\/strong\u003e\u003cbr\u003e\u003cspan\u003eSamuel Mariño, soprano\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eCovent Garden Sinfonia\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eBen Palmer, conductor\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eJonathan Ware, piano\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"font-size: 0.875rem;\"\u003e***\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eDecca 1CD\u003c\/em\u003e\u003cbr\u003e\u003cem\u003e\u003cspan\u003e4871226\u003c\/span\u003e\u003c\/em\u003e\u003c\/p\u003e","brand":"Buywell Music","offers":[{"title":"Default Title","offer_id":46114530590883,"sku":"4871226","price":15.0,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0079\/6527\/8271\/files\/eyJidWNrZXQiOiJwcmVzdG8tY292ZXItaW1hZ2VzIiwia2V5IjoiOTc3OTgzMS4xLmpwZyIsImVkaXRzIjp7InJlc2l6ZSI6eyJ3aWR0aCI6OTAwfSwid2VicCI6eyJxdWFsaXR5Ijo2NX0sInRvRm9ybWF0Ijoid2VicCJ9LCJ0aW1lc3RhbXA.webp?v=1754711072"},{"product_id":"aafje-heynis-edition","title":"Aafje Heynis Edition","description":"\u003ch3\u003eAafje Heynis Edition\u003c\/h3\u003e\n\u003cp\u003e\u003cstrong\u003eLimited edition 14CD set\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eA hymn to a sublime contralto: the complete Philips recordings of Aafje Heynis, remastered and compiled together, with original jackets, for the first time.\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eAafje Heynis grew up as a church singer, and her faith and modesty radiate from her performances, which began to capture the ears of Dutch audiences after the war. A momentous debut with the Concertgebouw and Eduard van Beinum produced an account of the\u003cspan\u003e \u003c\/span\u003e\u003cem\u003eAlto Rhapsody\u003c\/em\u003e\u003cspan\u003e \u003c\/span\u003eby Brahms – it hardly betrays her nerves on the occasion, despite her misgivings, and launched her international career.\u003c\/p\u003e\n\u003cp\u003eThere followed a career path not dissimilar to her recent and eminent predecessor, Kathleen Ferrier, with Philips recording her in folk song and Lieder as well as sacred and spiritual repertoire. When Bernard Haitink made his first recording of the ‘Resurrection’ Symphony by Mahler, Heynis was the obvious choice to sing the pivotal ‘Urlicht’ movement, which she did with the grace, the nobility and gravity of expression she brought to all her performances. This Mahler Second has scarcely left the catalogue since its first issue. Much less familiar now are Heynis’s albums of Bach cantatas, and her contributions to Dutch-made recordings of the\u003cspan\u003e \u003c\/span\u003e\u003cem\u003eDettingen Te Deum\u003c\/em\u003e\u003cspan\u003e \u003c\/span\u003eand\u003cspan\u003e \u003c\/span\u003e\u003cem\u003eDixit Dominus\u003c\/em\u003e\u003cspan\u003e \u003c\/span\u003eof Handel. Rarer still are the short ‘EP’ albums of sacred arias, accompanied by the organists Pierre Palla and Simon C. Jansen, which were primarily issued for the local Dutch market.\u003c\/p\u003e\n\u003cp\u003eA Beethoven Ninth under Igor Markevitch, and a Lieder album with Irwin Gage, hint at what might have been, if Heynis had chosen to embrace the calling of a truly international career. Likewise, we have a single record of Heynis in opera, singing the role of Orpheus in excerpts from Gluck’s opera, recorded in 1973.\u003c\/p\u003e\n\u003cp\u003eCompiled and remastered from rare sources, and issued as an Original Covers collection with extensive photographic illustration as well as a new and moving tribute to the life and art of Heynis by Jean-Charles Hoffelé, this set will attract all collectors of great singers. Heynis could touch the heart of the listener like few others, and her voice, once heard, is never forgotten.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong style=\"font-size: 0.875rem;\"\u003eTRACK LIST\u003c\/strong\u003e\u003cmeta charset=\"UTF-8\"\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eCD 1\u003c\/strong\u003e\u003cbr\u003e\u003cstrong\u003eJ.S. 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Jansen\u003c\/em\u003e\u003cbr\u003e\u003cstrong\u003eJ.W. FRANCK\u003c\/strong\u003e\u003cspan\u003e \u003c\/span\u003eJesus neigt sein Haupt und stirbt\u003cbr\u003e\u003cstrong\u003eJ.S. BACH\u003cspan\u003e \u003c\/span\u003e\u003c\/strong\u003eSacred songs\u003cbr\u003e\u003cstrong\u003eSCHOP\u003cspan\u003e \u003c\/span\u003e\u003c\/strong\u003eHalleluja, lof gezongen\u003cbr\u003e\u003cstrong\u003eSWARTH\u003cspan\u003e \u003c\/span\u003e\u003c\/strong\u003eGrote God, wij loven U\u003cbr\u003e\u003cstrong\u003ePAUW\u003c\/strong\u003e\u003cspan\u003e \u003c\/span\u003eOp bergen en in dalen\u003cbr\u003e\u003cstrong\u003eTRADITIONAL\u003cspan\u003e \u003c\/span\u003e\u003c\/strong\u003eSchoonste Heer Jezus\u003cbr\u003e\u003cstrong\u003eTRADITIONAL\u003cspan\u003e \u003c\/span\u003e\u003c\/strong\u003eO Heer, die daar des hemels tente spreidt\u003cbr\u003e\u003cstrong\u003eTRADITIONAL\u003cspan\u003e \u003c\/span\u003e\u003c\/strong\u003eErekoning, in\u003cspan\u003e \u003c\/span\u003e\u003cu\u003eU\u003c\/u\u003ew woning\u003cbr\u003e\u003cstrong\u003eJ.G. 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Jansen\u003c\/em\u003e\u003cbr\u003e\u003cstrong\u003eALBERT DE KLERK\u003c\/strong\u003e\u003cbr\u003eNaar Bethlehem wilt allen gaan\u003cbr\u003eHet is gebeurd op een winterdag\u003cbr\u003eNaar ’t kribbeken des Heeren\u003cbr\u003eEngelkens met blijde stem\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eDUTCH CHRISTMAS SONGS\u003c\/strong\u003e\u003cbr\u003eKomt allen tezamen\u003cbr\u003eStille nacht heilige nacht\u003cbr\u003eIk kniel aan uwe kribbe neer\u003cbr\u003eDaar kwamen drie koningen\u003cbr\u003eHoe leit dit kindeke\u003cbr\u003eMaria die zoude naar Bethlehem gaan\u003cbr\u003eHet was een maged uitverkoren\u003cbr\u003eEen roze fris ontloken\u003cbr\u003eDe herdertjes lagen bij nachte\u003cbr\u003eEngelkens door ‘t luchtruim zwevend\u003cbr\u003eNu zijt wellekome\u003cbr\u003eEr is een kindetje geboren op d’aard\u003cbr\u003eO kindeke klein, o kindeke teer\u003cbr\u003eO herders laat uw bokskens en schapen\u003cbr\u003eHet comet een schip geladen\u003cbr\u003eO suver maeght van Israel\u003cbr\u003eHet was zo stille\u003cbr\u003eEre Zij God\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eBRITISH CHRISTMAS SONGS\u003c\/strong\u003e\u003cbr\u003eChristmas Song (Personent hodie)\u003cbr\u003eDown in your forest\u003cbr\u003eHark! 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Three ‘evenings’ of orchestral, chamber and vocal music drew on DG’s most experienced and dynamic Mozartians, from Ferenc Fricsay and Clara Haskil to Maria Stader and Igor Markevitch. This is now republished complete for the first time, and expanded to three times its original length, including many other fine Mozart recordings made at the time such as the pianists Mieczysław Horszowski and Helmut Roloff in concertos; Bernhard Paumgartner in one of Mozart’s most substantial Salzburg divertimenti; Fritz Lehmann conducting early symphonies and opera overtures; and much more. While DG was commemorating Mozart in grand style, its sister label Archiv released many new recordings of the composer which broke new ground either in terms of repertoire or performance style. The Piano Concerto K.414 and the Sonata K.331 were played on rare fortepianos from Mozart’s own time. 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Drawing on ideas and recollections from several of the artists represented in the box, such as Irmgard Seefried and Wolfgang Paumgartner, the booklet essay by Peter Quantrill is complemented by a range of photographs as well as Original Cover artwork which evokes the mid-1950s.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong style=\"font-size: 0.875rem;\"\u003eTRACK LIST\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eCD 1\u003c\/strong\u003e\u003cbr\u003e\u003cstrong\u003eViolin Concertos Nos. 4 \u0026amp; 5\u003c\/strong\u003e\u003cbr\u003e\u003cem\u003eWolfgang Schneiderhan\u003c\/em\u003e\u003cbr\u003e\u003cem\u003eBerliner Philharmoniker \/ Hans Rosbaud\u003c\/em\u003e\u003cbr\u003e\u003cem\u003eWiener Symphoniker \/ Ferdinand Leitner\u003c\/em\u003e\u003cbr\u003e\u003cstrong\u003ePiano Concerto No. 14\u003c\/strong\u003e\u003cbr\u003e\u003cem\u003eMieczysław Horszowski; Festival Strings Lucerne \/ Rudolf Baumgartner\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eCD 2\u003c\/strong\u003e\u003cbr\u003e\u003cstrong\u003ePiano Concertos No. 19\u003c\/strong\u003e\u003cbr\u003e\u003cem\u003eClara Haskil; 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Fritz Neumeyer\u003c\/em\u003e\u003cbr\u003e*FIRST RELEASE ON CD\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eCD 11\u003c\/strong\u003e\u003cbr\u003e\u003cstrong\u003eLieder \u0026amp; Ensembles\u003c\/strong\u003e\u003cbr\u003eLiebes Mandel, wo ist’s Bandel?\u003cbr\u003eCaro mio Druck und Schluck\u003cbr\u003e\u003cem\u003eMargot Guilleaume; Hans Günter Nöcker\u003c\/em\u003e\u003cbr\u003e\u003cem\u003eLotte Wolf-Matthäus; Fritz Wunderlich; Fritz Neumeyer\u003c\/em\u003e\u003cbr\u003eDie Zufriedenheit\u003cbr\u003eKomm, liebe Zither, komm\u003cbr\u003e\u003cem\u003eHelmut Krebs; Adolf Hartmann\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eVocal Canons\u003c\/strong\u003e\u003cbr\u003eAlleluia, Canon a 4, K. 553\u003cbr\u003eAve Maria, K. 554\u003cbr\u003eLacrimoso son’io, K. 555\u003cbr\u003eCaro bell’idol mio, K. 562\u003cbr\u003eNascoso è il mio sol, K. 557\u003cbr\u003eV’amo di core teneramente, K. 348\u003cbr\u003eLieber Freistädtler, lieber Gaulimauli, K. 232\u003cbr\u003eDifficile lectu mihi mars, Canon a 3, K. 559\u003cbr\u003eO du eselhafter Martin, Canon a 4, K. 560\u003cbr\u003eG’rechtelt’s enk, K. 556\u003cbr\u003eGehn wir im Prater, K. 558\u003cbr\u003eBona nox, bist a rechta Ox, Canon a 4, K. 561\u003cbr\u003e\u003cem\u003eNorddeutscher Singkreis \/ Gottfried Wolters\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eMass in C major, K. 317 ‘Coronation Mass’\u003c\/strong\u003e\u003cbr\u003e\u003cem\u003eMaria Stader; 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Wiener Symphoniker\u003c\/em\u003e\u003cbr\u003e\u003cem\u003eFerdinand Leitner; Fritz Lehmann\u003c\/em\u003e\u003cbr\u003e*FIRST RELEASE ON CD\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eCD 14\u003c\/strong\u003e\u003cbr\u003e\u003cstrong\u003eOpera Gala\u003c\/strong\u003e\u003cbr\u003eLe nozze di Figaro (excerpts)\u003cbr\u003e\u003cem\u003eEugen Jochum; Ferdinand Leitner; Fritz Lehmann; Leopold Ludwig\u003c\/em\u003e\u003cbr\u003eNon più, tutto ascoltai – Non temer, amato bene, K. 490 (Idomeneo)\u003cbr\u003e\u003cem\u003eIrmgard Seefried; Ferdinand Leitner\u003c\/em\u003e\u003cbr\u003eDie Entführung aus dem Serail (excerpts)\u003cbr\u003e\u003cem\u003eFerenc Fricsay\u003c\/em\u003e\u003cbr\u003eDon Giovanni (excerpts)\u003cbr\u003e\u003cem\u003eFerdinand Leitner; Fritz Lehmann\u003c\/em\u003e\u003cbr\u003eRuhe sanft, mein holdes Leben (Zaïde)\u003cbr\u003e\u003cem\u003eRita Streich; Artur Rother\u003c\/em\u003e\u003cbr\u003eUna donna a quindici anni (Così fan tutte)\u003cbr\u003e\u003cem\u003eRita Streich; Herbert Sandberg\u003c\/em\u003e\u003cbr\u003eDie Zauberflöte (excerpts)\u003cbr\u003e\u003cem\u003eFerenc Fricsay\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e***\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eEloquence 14CD Set\u003c\/em\u003e\u003cbr\u003e\u003cem\u003e\u003cspan\u003e4843134\u003c\/span\u003e\u003c\/em\u003e\u003c\/p\u003e","brand":"Buywell Music","offers":[{"title":"Default Title","offer_id":46235734999203,"sku":"4843134","price":129.95,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0079\/6527\/8271\/files\/eyJidWNrZXQiOiJwcmVzdG8tY292ZXItaW1hZ2VzIiwia2V5IjoiOTgxNzY2OC4xLnBuZyIsImVkaXRzIjp7InRvRm9ybWF0Ijoid2VicCJ9LCJ0aW1lc3RhbXAiOjE3NTgwMTc3NjR9.webp?v=1758073616"},{"product_id":"hungarian-pictures-17cd","title":"Hungarian Pictures [17CD]","description":"\u003ch2\u003eHungarian Pictures\u003c\/h2\u003e\n\u003cp\u003e\u003cstrong\u003eLimited edition 17CD set\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eHungarian Pictures\u003c\/em\u003e\u003cspan\u003e \u003c\/span\u003epresents recordings of music by Liszt, Bartók, Kodály and Dohnányi in recordings of native authority, many of them making their first appearance on CD. János Ferencsik and György Lehel were leading orchestras who knew their style intimately, and who had the Hungarian rhythms of this music flowing in their blood.\u003c\/p\u003e\n\u003cp\u003eIn the 1960s, Deutsche Grammophon and the Westminster label introduced listeners to much fascinating Hungarian repertoire which they had never previously encountered. This Eloquence set of ‘Hungarian Connections’ gathers up these rare recordings for the first time and reissues them in newly remastered versions with original covers.\u003c\/p\u003e\n\u003cp\u003eA booklet essay by Peter Quantrill explores the careers of the two principal musicians leading the music-making on the set, János Ferencsik and György Lehel. These were both conductors who did not flee Hungary when the revolution was so brutally suppressed by the Communists in 1956. Accordingly, they came to play a central role in musical culture in postwar Budapest, with Ferencsik based at the Opera and Lehel at the Radio and TV company.\u003c\/p\u003e\n\u003cp\u003eFerencsik and Lehel were leading orchestras who knew their style intimately, and who had the Hungarian rhythms of this music flowing in their blood: Ferencsik remarked that he performed Bartók’s music as naturally as if he were breathing. No less compelling is the single album issued by DG of Kodaly conducting his own music, which introduced the shimmeringly evocative tone-poem Summer Evening to many western listeners.\u003c\/p\u003e\n\u003cp\u003eFinally, there is a single LP of highlights from the 1961 Liszt-Bartok Piano Competition, held in Budapest: the winner Gábor Gabos gives a thunderously eloquent account of Liszt’s Piano Sonata, and there are further performances by the young Dino Ciani, Valentin Belchenko and David Wilde.\u003c\/p\u003e\n\u003ch3\u003eTRACKLIST\u003c\/h3\u003e\n\u003cp\u003e\u003cstrong\u003eCD 1\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eHAYDN\u003c\/strong\u003e\u003cspan\u003e \u003c\/span\u003eMass in D minor, Hob. 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The New York Times praised his ‘uncompromising precision and taut rhythmic control’ and critics have long admired the ‘incisive, diamond-cut playing’ he drew from orchestras, yet also the elegance and lyricism that balanced his rigour. These recordings, described by Gramophone as ‘models of orchestral refinement and integrity’ bring together Szell’s complete legacy for Decca, Philips and Deutsche Grammophon, preserving performances that still set benchmarks of style and authority.\u003c\/p\u003e\n\u003cp\u003eBesides purely symphonic repertoire, including Beethoven’s Fifth Symphony, Dvořák’s Eighth and Brahms’s Third Symphonies, a fiery account of the incidental music for the composer’s Egmont, and luminous versions of Rosamunde (Schubert) and A Midsummer Night’s Dream (Mendelssohn) the set also includes concerto recordings with Clifford Curzon (Mozart, Brahms and Tchaikovsky) and his sole recording for Deutsche Grammophon, Dvořák’s Cello Concerto with Pierre Fournier. Included by way of bonus is a 30-minute rehearsal extract for the recording of Handel’s Water Music – never before published.\u003c\/p\u003e\n\u003cp\u003eEven while involved with the Cleveland Orchestra (from 1947 until his death in 1970) Szell continued to work with the great European ensembles in London, Amsterdam and Vienna even after taking up the post in Cleveland. Their mutual respect and affinity is evident throughout this set. Szell may have earned his reputation as a podium autocrat, but he knew how to get the best out of orchestras, who valued the fact that he never wasted a word or a gesture.\u003c\/p\u003e\n\u003cp\u003eThe 1962 account of Brahms’s First Concerto with Clifford Curzon was acclaimed as a definitive recording on its first release, and has hardly been toppled from that peak since. 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While they represent a true autocrat of the podium, Rodziński drew from orchestras every last ounce of energy as well as cultivating their virtuoso talents. Most recordings in this set appear internationally for the first time, together with some (previously unpublished) rehearsal extracts.\u003c\/p\u003e\n\u003cp\u003eLike his colleagues and fellow emigres Fritz Reiner, George Szell and Arturo Toscanini, Artur Rodziński did not seek to make friends in the process of making music. His rehearsal methods were as ruthless as his conducting style was fiercely driven. His caustic manner extended to fellow professionals in the business such as soloists and agents, and the new essay by James H. North for this Eloquence collection includes stories of his dictatorial behaviour. But then Rodziński’s musical values also represent another era, and he drew from orchestras every last ounce of energy as well as cultivating their virtuoso talents.\u003c\/p\u003e\n\u003cp\u003eOnce he had emigrated to the US, Rodziński played an instrumental role in making the Cleveland and Chicago Symphony orchestras into the superbly responsive ensembles for which they are world-renowned today. Having retired from the stress of directorships, in the mid-1950s and in variable health, he produced a remarkable Indian summer of recordings for the Westminster label.\u003c\/p\u003e\n\u003cp\u003eMade mostly in London between 1954 and his death in November 1958, these Westminster albums centred on the late-Romantic and early-20th-century repertoire which responds to a virtuoso conductor’s concern for subtle orchestral colours and extremes of speed and dynamic: Mussorgsky Pictures, Kodály Dances and Richard Strauss’s tone-poems. Rodziński plays insightful accompanist to piano concertos with Paul Badura-Skoda, Youri Boukoff and Jörg Demus, but he achieved a special affinity with Erica Morini in the violin concertos of Brahms and Tchaikovsky.\u003c\/p\u003e\n\u003cp\u003eRodziński’s decades of experience in the theatre bring sweeping authority to ‘bleeding chunks’ of Wagner, suites of Bizet and Tchaikovsky ballets. Further highlights in this set of newly-remastered mono and stereo albums include a Shostakovich Fifth which testifies to Rodziński’s early commitment to the composer in the West. Other, enduringly robust interpretations of canon symphonies include Dvorak’s Ninth, Prokofiev’s First, Tchaikovsky Nos. 4-6, and his very last Westminster album, of Beethoven and Schubert. At the end of the sessions, Rodziński thanked the orchestra in a speech which was captured for posterity and reissued here. 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Orchester\u003c\/em\u003e \u003cem\u003eder Wiener Staatsoper\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eFIRST RELEASE ON CD\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eCD 16\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eSHOSTAKOVICH\u003c\/strong\u003e: Symphony No. 5\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eRoyal Philharmonic Orchestra\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eCD 17\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eJ. STRAUSS\u003c\/strong\u003e: II Waltzes\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eRoyal Philharmonic Orchestra\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eFIRST INTERNATIONAL RELEASE ON CD\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eCD 18\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eR. STRAUSS\u003c\/strong\u003e: Till Eulenspiegels lustige Streiche; Don Juan; Rosenkavalier Suite\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eRoyal Philharmonic Orchestra\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eFIRST INTERNATIONAL RELEASE ON CD\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eCDs 19–20\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTCHAIKOVSKY\u003c\/strong\u003e:\u003c\/p\u003e\n\u003cp\u003eThe Nutcracker (complete) – performance and rehearsal extract˚\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eRoyal Philharmonic Orchestra\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eSwan Lake \u0026amp; Nutcracker Suites*\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eOrchester der Wiener Staatsoper\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e˚FIRST RELEASE OF REHEARSAL – PREVIOUSLY UNPUBLISHED\u003c\/p\u003e\n\u003cp\u003e*FIRST RELEASE ON CD\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eCDs 21–23\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTCHAIKOVSKY\u003c\/strong\u003e: Symphonies Nos. 4–6\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eCDs 24–25\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eWAGNER\u003c\/strong\u003e: Orchestral music\u003c\/p\u003e\n\u003cp\u003efrom Die Walküre, Götterdämmerung, Tristan und Isolde, Lohengrin, Tannhäuser\u0026amp; Die Mesitersinger von Nürnberg (including rehearsal extract for \u003cem\u003eMeistersinger\u003c\/em\u003e)\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eARTISTS\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eARTUR RODZIŃSKI, conductor\u003cbr\u003eVarious Orchestras \/ Soloists\u003c\/p\u003e\n\u003cp\u003e***\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eEloquence 25CD Set\u003c\/em\u003e\u003cbr\u003e\u003cem\u003e\u003cspan\u003e4848489\u003c\/span\u003e\u003c\/em\u003e\u003c\/p\u003e","brand":"Buywell Music","offers":[{"title":"Default Title","offer_id":47559916355747,"sku":"4848489","price":225.0,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0079\/6527\/8271\/files\/4848489_Rodzinski_Cover.jpg?v=1776135016"},{"product_id":"angela-hewitt-the-bach-recordings-27cd","title":"Angela Hewitt - The Bach Recordings [27CD]","description":"\u003ch3\u003eAngela Hewitt - The Bach Recordings\u003c\/h3\u003e\n\u003cp\u003e\u003cstrong\u003e27-CD box set\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eAngela Hewitt (piano)\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e***\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e‘One of the record glories of our age’ THE SUNDAY TIMES\u003c\/p\u003e\n\u003cp\u003eFor the first time ever, Angela Hewitt’s complete recordings of the Bach keyboard works on Hyperion are presented in one collection of 27 CDs. This covers nearly 25 years of Angela’s Bach recordings on Hyperion, from 1994 to 2018.\u003c\/p\u003e\n\u003cp\u003eAngela’s Bach Odyssey started in 1994 when Ted Perry, founder of Hyperion, first heard her in a recording of the Bach Inventions. Angela recounts what happened next: ‘I’ll take it!’ said Ted Perry over the telephone. ‘But you haven’t heard it yet!’ I exclaimed. ‘I don’t need to - I know it will be good’, was his reply. ‘But only if you agree to record the complete Bach.’\u003c\/p\u003e\n\u003cp\u003eA 27-CD original-jackets collection with a 20-page booklet, housed in an attractive 2-piece box with lift-off lid.\u003c\/p\u003e\n\u003cp\u003e10x double-CD and 7x single-CD original-jacket wallets with spines\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eContents:\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eJOHANN SEBASTIAN BACH\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eCD1: Two and Three Part Inventions\u003cbr\u003eCD2-3: The French Suites\u003cbr\u003eCD4-5: The Six Partitas (1996\/67 recording)\u003cbr\u003eCD6-9: The Well-Tempered Clavier (1997\/98 recording)\u003cbr\u003eCD10: Goldberg Variations (1999 recording)\u003cbr\u003eCD11: French Overture \u0026amp; Italian Concerto\u003cbr\u003eCD12: Bach Arrangements\u003cbr\u003eCD13: The Toccatas\u003cbr\u003eCD14-15: The English Suites\u003cbr\u003eCD16: Fantasia \u0026amp; Fugue, Aria Variata \u0026amp; Other Works\u003cbr\u003eCD17-18: The Keyboard Concertos\u003cbr\u003eCD19-22: The Well-Tempered Clavier (2008 recording)\u003cbr\u003eCD23-24: The Art of the Fugue\u003cbr\u003eCD25: CD10: Goldberg Variations (2015 recording)\u003cbr\u003eCD26-27: : The Six Partitas (2018 recording)\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e***\u003c\/span\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eHyperion 27CD set\u003cbr\u003eCDS44621\/47\u003cbr\u003eReleased April 2026\u003cbr\u003eTotal duration: 1859 minutes 42 seconds\u003cbr\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e","brand":"Buywell Music","offers":[{"title":"Default Title","offer_id":47602425036963,"sku":"CDA44621","price":160.0,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0079\/6527\/8271\/files\/CDS44621.webp?v=1777079793"},{"product_id":"colin-davis-boston-legacy-13cd","title":"Colin Davis Boston Legacy [13CD]","description":"\u003ch2\u003eColin Davis - The Boston Legacy\u003c\/h2\u003e\n\u003ch2\u003e\u003cspan style=\"font-size: 0.875rem;\"\u003eLimited Edition 13CD Box Set\u003c\/span\u003e\u003c\/h2\u003e\n\u003cp\u003eReissued complete for the first time, the recorded legacy of Sir Colin Davis and the Boston Symphony Orchestra on Philips, including an unsurpassed cycle of Sibelius symphonies.\u003c\/p\u003e\n\u003cp\u003eEach element of the tricky chemistry came off when Colin Davis made his debut with the Boston Symphony Orchestra in 1967, in concerts of Berlioz, Stravinsky and Dvořák. In search of a new Principal Conductor at the time, the BSO offered the post to Davis, but he preferred to focus his energies on the directorship of the Royal Opera in London. However, he began making regular return visits to Boston, and in 1974 became the orchestra’s Principal Guest Conductor. \u003c\/p\u003e\n\u003cp\u003eAs the most ‘European’-sounding of the great American orchestras, the BSO responded with natural affinity to Davis’s sense of line and cultivated warmth in canon repertoire. When he began to explore Sibelius with them, both the orchestra and audience responded with cautious curiosity which blossomed into committed enthusiasm. Philips capitalised on this affinity by recording them together in the complete symphonies and selected tone-poems between 1975 and 1980, successfully capturing the intensity of the associated concerts.\u003c\/p\u003e\n\u003cp\u003eWhile the Sibelius cycle has maintained a firm place in the catalogue, other albums in the BSO\/Davis discography have fallen from prominence. They include a fizzing Mendelssohn album of the ‘Italian’ Symphony and excerpts from A Midsummer Night’s Dream; a delectably sprung set of excerpts from Schubert’s Rosamunde, and one of the first-ever versions of the ‘Great’ C major Symphony to include all the repeats. \u003c\/p\u003e\n\u003cp\u003eDavis had a long-established harmonious working relationship with Claudio Arrau, and the Chilean pianist came to Boston to record magisterial, lovingly detailed versions of the concertos by Schumann, Grieg and Tchaikovsky. While Tchaikovsky is hardly a name associated with Davis, the conductor also drew remarkable tension, energy and volume from his Boston forces in Romeo and Juliet and the 1812 Overture (complete with chorus, organ, bells and the rest). \u003c\/p\u003e\n\u003cp\u003eThis Original Covers box from Eloquence comprises newly remastered recordings and includes a new booklet essay by Peter Quantrill, exploring the history of Colin Davis in Boston, the elements of their happy artistic chemistry and the stories behind the scenes.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eLIMITED EDITION\u003c\/strong\u003e\u003c\/p\u003e\n\u003cdiv class=\"section-toggle\"\u003e\n\u003cdiv class=\"table\"\u003e\n\u003cdiv class=\"cell text-left\"\u003e***\u003c\/div\u003e\n\u003cdiv class=\"cell text-left\"\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003cdiv class=\"cell text-left\"\u003e\n\u003cstrong\u003eTRACK LISTING \/ ARTISTS\u003c\/strong\u003e \u003c\/div\u003e\n\u003cdiv class=\"cell text-left\"\u003e\n\u003cspan class=\"fa fa-angle-up\"\u003e\u003c\/span\u003e\u003cbr\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"cell text-left\"\u003e\n\u003cmeta charset=\"UTF-8\"\u003e\n\u003cp class=\"western\" align=\"left\"\u003e\u003cspan style=\"font-family: Calibri, serif;\"\u003e\u003cspan style=\"font-size: small;\"\u003e\u003cspan style=\"font-family: Times New Roman, serif;\"\u003e\u003cspan lang=\"en-AU\"\u003e\u003cb\u003eCD 1\u003c\/b\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"western\" align=\"left\"\u003e\u003cspan style=\"font-family: Calibri, serif;\"\u003e\u003cspan style=\"font-size: small;\"\u003e\u003cspan style=\"font-family: Times New Roman, serif;\"\u003e\u003cb\u003eSIBELIUS \u003c\/b\u003e\u003c\/span\u003e\u003cspan style=\"font-family: Times New Roman, serif;\"\u003eSymphony No. 1\u003cbr\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003cspan style=\"font-family: Calibri, serif;\"\u003e\u003cspan style=\"font-size: small;\"\u003e\u003cspan style=\"font-family: Times New Roman, serif;\"\u003eFinlandia\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"western\" align=\"left\"\u003e\u003cspan style=\"font-family: Calibri, serif;\"\u003e\u003cspan style=\"font-size: small;\"\u003e\u003cspan style=\"font-family: Times New Roman, serif;\"\u003e\u003cspan lang=\"en-AU\"\u003e\u003cb\u003eCD 2\u003c\/b\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"western\" align=\"left\"\u003e\u003cspan style=\"font-family: Calibri, serif;\"\u003e\u003cspan style=\"font-size: small;\"\u003e\u003cspan style=\"font-family: Times New Roman, serif;\"\u003e\u003cb\u003eSIBELIUS \u003c\/b\u003e\u003c\/span\u003e\u003cspan style=\"font-family: Times New Roman, serif;\"\u003eSymphony No. 2\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"western\" align=\"left\"\u003e\u003cspan style=\"font-family: Calibri, serif;\"\u003e\u003cspan style=\"font-size: small;\"\u003e\u003cspan style=\"font-family: Times New Roman, serif;\"\u003e\u003cspan lang=\"en-AU\"\u003e\u003cb\u003eCD 3\u003c\/b\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"western\" align=\"left\"\u003e\u003cspan style=\"font-family: Calibri, serif;\"\u003e\u003cspan style=\"font-size: small;\"\u003e\u003cspan style=\"font-family: Times New Roman, serif;\"\u003e\u003cb\u003eSIBELIUS \u003c\/b\u003e\u003c\/span\u003e\u003cspan style=\"font-family: Times New Roman, serif;\"\u003eSymphonies Nos. 3 \u0026amp; 6\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"western\" align=\"left\"\u003e\u003cspan style=\"font-family: Calibri, serif;\"\u003e\u003cspan style=\"font-size: small;\"\u003e\u003cspan style=\"font-family: Times New Roman, serif;\"\u003e\u003cspan lang=\"en-AU\"\u003e\u003cb\u003eCD 4\u003c\/b\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"western\" align=\"left\"\u003e\u003cspan style=\"font-family: Calibri, serif;\"\u003e\u003cspan style=\"font-size: small;\"\u003e\u003cspan style=\"font-family: Times New Roman, serif;\"\u003e\u003cb\u003eSIBELIUS \u003c\/b\u003e\u003c\/span\u003e\u003cspan style=\"font-family: Times New Roman, serif;\"\u003eSymphony No. 4\u003cbr\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003cspan style=\"font-family: Calibri, serif;\"\u003e\u003cspan style=\"font-size: small;\"\u003e\u003cspan style=\"font-family: Times New Roman, serif;\"\u003eTapiola\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"western\" align=\"left\"\u003e\u003cspan style=\"font-family: Calibri, serif;\"\u003e\u003cspan style=\"font-size: small;\"\u003e\u003cspan style=\"font-family: Times New Roman, serif;\"\u003e\u003cspan lang=\"en-AU\"\u003e\u003cb\u003eCD 5\u003c\/b\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"western\" align=\"left\"\u003e\u003cspan style=\"font-family: Calibri, serif;\"\u003e\u003cspan style=\"font-size: small;\"\u003e\u003cspan style=\"font-family: Times New Roman, serif;\"\u003e\u003cb\u003eSIBELIUS \u003c\/b\u003e\u003c\/span\u003e\u003cspan style=\"font-family: Times New Roman, serif;\"\u003eSymphonies Nos. 5 \u0026amp; 7\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"western\" align=\"left\"\u003e\u003cspan style=\"font-family: Calibri, serif;\"\u003e\u003cspan style=\"font-size: small;\"\u003e\u003cspan style=\"font-family: Times New Roman, serif;\"\u003e\u003cspan lang=\"en-AU\"\u003e\u003cb\u003eCD 6\u003c\/b\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"western\" align=\"left\"\u003e\u003cspan style=\"font-family: Calibri, serif;\"\u003e\u003cspan style=\"font-size: small;\"\u003e\u003cspan style=\"font-family: Times New Roman, serif;\"\u003e\u003cb\u003eSIBELIUS \u003c\/b\u003e\u003c\/span\u003e\u003cspan style=\"font-family: Times New Roman, serif;\"\u003eThe Swan of Tuonela\u003cbr\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003cspan style=\"font-family: Calibri, serif;\"\u003e\u003cspan style=\"font-size: small;\"\u003e\u003cspan style=\"font-family: Times New Roman, serif;\"\u003ePohjola’s Daughter; Valse triste\u003cbr\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003cspan style=\"font-family: Calibri, serif;\"\u003e\u003cspan style=\"font-size: small;\"\u003e\u003cspan style=\"font-family: Times New Roman, serif;\"\u003e\u003cspan lang=\"en-US\"\u003eKarelia Suite; \u003c\/span\u003e\u003c\/span\u003e\u003cspan style=\"font-family: Times New Roman, serif;\"\u003e\u003cspan lang=\"nl-NL\"\u003eEn Saga\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"western\" align=\"left\"\u003e\u003cspan style=\"font-family: Calibri, serif;\"\u003e\u003cspan style=\"font-size: small;\"\u003e\u003cspan style=\"font-family: Times New Roman, serif;\"\u003e\u003cspan lang=\"en-AU\"\u003e\u003cb\u003eCD 7\u003c\/b\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"western\" align=\"left\"\u003e\u003cspan style=\"font-family: Calibri, serif;\"\u003e\u003cspan style=\"font-size: small;\"\u003e\u003cspan style=\"font-family: Times New Roman, serif;\"\u003e\u003cspan lang=\"it-IT\"\u003e\u003cb\u003eSIBELIUS \u003c\/b\u003e\u003c\/span\u003e\u003c\/span\u003e\u003cspan style=\"font-family: Times New Roman, serif;\"\u003e\u003cspan lang=\"it-IT\"\u003eViolin Concerto \u003cbr\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003cspan style=\"font-family: Calibri, serif;\"\u003e\u003cspan style=\"font-size: small;\"\u003e\u003cspan style=\"font-family: Times New Roman, serif;\"\u003eSix Humoresques\u003cbr\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003cspan style=\"font-family: Calibri, serif;\"\u003e\u003cspan style=\"font-size: small;\"\u003e\u003cspan style=\"font-family: Times New Roman, serif;\"\u003e\u003cspan lang=\"it-IT\"\u003e\u003ci\u003eSalvatore Accardo\u003cbr\u003e\u003c\/i\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003cspan style=\"font-family: Calibri, serif;\"\u003e\u003cspan style=\"font-size: small;\"\u003e\u003cspan style=\"font-family: Times New Roman, serif;\"\u003e\u003cspan lang=\"it-IT\"\u003e\u003ci\u003eLondon Symphony Orchestra \u003c\/i\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"western\" align=\"left\"\u003e\u003cspan style=\"font-family: Calibri, serif;\"\u003e\u003cspan style=\"font-size: small;\"\u003e\u003cspan style=\"font-family: Times New Roman, serif;\"\u003e\u003cspan lang=\"en-AU\"\u003e\u003cb\u003eCD 8\u003c\/b\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"western\" align=\"left\"\u003e\u003cspan style=\"font-family: Calibri, serif;\"\u003e\u003cspan style=\"font-size: small;\"\u003e\u003cspan style=\"font-family: Times New Roman, serif;\"\u003e\u003cb\u003eSCHUBERT \u003c\/b\u003e\u003c\/span\u003e\u003cspan style=\"font-family: Times New Roman, serif;\"\u003eSymphony No. 8\u003cbr\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003cspan style=\"font-family: Calibri, serif;\"\u003e\u003cspan style=\"font-size: small;\"\u003e\u003cspan style=\"font-family: Times New Roman, serif;\"\u003eRosamunde (excerpts)\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"western\" align=\"left\"\u003e\u003cspan style=\"font-family: Calibri, serif;\"\u003e\u003cspan style=\"font-size: small;\"\u003e\u003cspan style=\"font-family: Times New Roman, serif;\"\u003e\u003cspan lang=\"en-AU\"\u003e\u003cb\u003eCD 9\u003c\/b\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"western\" align=\"left\"\u003e\u003cspan style=\"font-family: Calibri, serif;\"\u003e\u003cspan style=\"font-size: small;\"\u003e\u003cspan style=\"font-family: Times New Roman, serif;\"\u003e\u003cb\u003eSCHUBERT \u003c\/b\u003e\u003c\/span\u003e\u003cspan style=\"font-family: Times New Roman, serif;\"\u003eSymphony No. 9\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"western\" align=\"left\"\u003e\u003cspan style=\"font-family: Calibri, serif;\"\u003e\u003cspan style=\"font-size: small;\"\u003e\u003cspan style=\"font-family: Times New Roman, serif;\"\u003e\u003cspan lang=\"en-AU\"\u003e\u003cb\u003eCD 10\u003c\/b\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"western\" align=\"left\"\u003e\u003cspan style=\"font-family: Calibri, serif;\"\u003e\u003cspan style=\"font-size: small;\"\u003e\u003cspan style=\"font-family: Times New Roman, serif;\"\u003e\u003cb\u003eMENDELSSOHN \u003c\/b\u003e\u003c\/span\u003e\u003cspan style=\"font-family: Times New Roman, serif;\"\u003eSymphony No. 4 ‘Italian’\u003cbr\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003cspan style=\"font-family: Calibri, serif;\"\u003e\u003cspan style=\"font-size: small;\"\u003e\u003cspan style=\"font-family: Times New Roman, serif;\"\u003eA Midsummer Night’s Dream (excerpts)\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"western\" align=\"left\"\u003e\u003cspan style=\"font-family: Calibri, serif;\"\u003e\u003cspan style=\"font-size: small;\"\u003e\u003cspan style=\"font-family: Times New Roman, serif;\"\u003e\u003cb\u003eCD 11\u003c\/b\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"western\" align=\"left\"\u003e\u003cspan style=\"font-family: Calibri, serif;\"\u003e\u003cspan style=\"font-size: small;\"\u003e\u003cspan style=\"font-family: Times New Roman, serif;\"\u003e\u003cb\u003eTCHAIKOVSKY \u003c\/b\u003e\u003c\/span\u003e\u003cspan style=\"font-family: Times New Roman, serif;\"\u003e1812 Overture \u003cbr\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003cspan style=\"font-family: Calibri, serif;\"\u003e\u003cspan style=\"font-size: small;\"\u003e\u003cspan style=\"font-family: Times New Roman, serif;\"\u003eRomeo and Juliet \u003cbr\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003cspan style=\"font-family: Calibri, serif;\"\u003e\u003cspan style=\"font-size: small;\"\u003e\u003cspan style=\"font-family: Times New Roman, serif;\"\u003e\u003cspan lang=\"it-IT\"\u003ePiano Concerto No. 1\u003cbr\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003cspan style=\"font-family: Calibri, serif;\"\u003e\u003cspan style=\"font-size: small;\"\u003e\u003cspan style=\"font-family: Times New Roman, serif;\"\u003e\u003ci\u003eClaudio Arrau\u003c\/i\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"western\" align=\"left\"\u003e\u003cspan style=\"font-family: Calibri, serif;\"\u003e\u003cspan style=\"font-size: small;\"\u003e\u003cspan style=\"font-family: Times New Roman, serif;\"\u003e\u003cspan lang=\"it-IT\"\u003e\u003cb\u003eCD 12\u003c\/b\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"western\" align=\"left\"\u003e\u003cspan style=\"font-family: Calibri, serif;\"\u003e\u003cspan style=\"font-size: small;\"\u003e\u003cspan style=\"font-family: Times New Roman, serif;\"\u003e\u003cspan lang=\"it-IT\"\u003e\u003cb\u003eGRIEG \u003c\/b\u003e\u003c\/span\u003e\u003c\/span\u003e\u003cspan style=\"font-family: Times New Roman, serif;\"\u003e\u003cspan lang=\"it-IT\"\u003ePiano Concerto\u003cbr\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003cspan style=\"font-family: Calibri, serif;\"\u003e\u003cspan style=\"font-size: small;\"\u003e\u003cspan style=\"font-family: Times New Roman, serif;\"\u003e\u003cspan lang=\"it-IT\"\u003e\u003cb\u003eSCHUMANN \u003c\/b\u003e\u003c\/span\u003e\u003c\/span\u003e\u003cspan style=\"font-family: Times New Roman, serif;\"\u003e\u003cspan lang=\"it-IT\"\u003ePiano Concerto\u003cbr\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003cspan style=\"font-family: Calibri, serif;\"\u003e\u003cspan style=\"font-size: small;\"\u003e\u003cspan style=\"font-family: Times New Roman, serif;\"\u003e\u003ci\u003eClaudio Arrau\u003c\/i\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"western\" align=\"left\"\u003e\u003cspan style=\"font-family: Calibri, serif;\"\u003e\u003cspan style=\"font-size: small;\"\u003e\u003cspan style=\"font-family: Times New Roman, serif;\"\u003e\u003cspan lang=\"fr-FR\"\u003e\u003cb\u003eCD 13\u003c\/b\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"western\" align=\"left\"\u003e\u003cspan style=\"font-family: Calibri, serif;\"\u003e\u003cspan style=\"font-size: small;\"\u003e\u003cspan style=\"font-family: Times New Roman, serif;\"\u003e\u003cspan lang=\"fr-FR\"\u003e\u003cb\u003eDEBUSSY \u003c\/b\u003e\u003c\/span\u003e\u003c\/span\u003e\u003cspan style=\"font-family: Times New Roman, serif;\"\u003e\u003cspan lang=\"fr-FR\"\u003eLa Mer\u003cbr\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003cspan style=\"font-family: Calibri, serif;\"\u003e\u003cspan style=\"font-size: small;\"\u003e\u003cspan style=\"font-family: Times New Roman, serif;\"\u003eNocturnes\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong style=\"font-size: 0.875rem;\"\u003e\u003cspan class=\"s19\"\u003eARTISTS\u003c\/span\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan class=\"s6\"\u003eBoston Symphony Orchestra\u003cbr\u003e\u003c\/span\u003e\u003cspan class=\"s6\"\u003eColin Davis\u003c\/span\u003e\u003c\/p\u003e\n\u003cbr\u003e\u003cspan class=\"fa fa-angle-up\"\u003e\u003c\/span\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e","brand":"Buywell Music","offers":[{"title":"Default Title","offer_id":47634800148643,"sku":"4847627","price":130.0,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0079\/6527\/8271\/files\/4847627_ColinDavis_BostonLegacy_Cover.jpg?v=1778153952"},{"product_id":"ataulfo-argenta-enrique-jorda-decca-masters-20cd","title":"Ataulfo Argenta \/ Enrique Jorda - Decca Masters [20CD]","description":"\u003ch2\u003eAtaulfo Argenta and Enrique Jorda\u003c\/h2\u003e\n\u003ch3\u003eThe Decca Masters\u003c\/h3\u003e\n\u003ch2\u003e\u003cspan style=\"font-size: 0.875rem;\"\u003eLimited Edition 20CD Box Set\u003c\/span\u003e\u003c\/h2\u003e\n\u003cp\u003e\u003cstrong\u003eAtaúlfo Argenta and Enrique Jordá – two Spanish maestri in a single Decca collection, newly remastered, with ‘original jackets’, and several recordings receiving their CD premieres.\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eWhen Decca developed its revolutionary new ‘ffrr’ technology in the postwar 1940s, the label promoted it with a list of new recordings made by their most distinguished artists: Kathleen Ferrier, Victor de Sabata… and Enrique Jordá. Likewise, when Decca embraced the step-change of LP a few years later, they advertised its high fidelity and convenience with recordings made in Geneva by Ernest Ansermet and the young conductor he had determined upon as his successor in charge of the Orchestre de la Suisse Romande: Ataúlfo Argenta.\u003c\/p\u003e\n\u003cp\u003eThis set includes, for the first time, all the recordings made by Jordá in the 78 era, and receiving their first official digital remastering; his LP discography is also included. Jordá (born in 1911) and Argenta (born in 1913) were the first Spanish conductors to win an international reputation. They did so with the unmannered, dynamically vital interpretations of Romantic and 20th-century repertoire which Decca preserved in these recordings.\u003c\/p\u003e\n\u003cp\u003eBoth Argenta and Jordá were valued by orchestras and record labels as guarantors of authenticity in the Spanish orchestral repertoire by Falla, Albéniz, Turina, Rodrigo and others. But both conductors yearned to be recognised for their equal mastery of French and German repertoire. Listening now to Argenta conduct the Faust Symphony of Liszt and Schubert’s ‘Great’ C major, and Jordá in Haydn No. 88 and Mozart’s ‘Linz’ Symphony, we can hear the insights they bring to the Austro-German symphonic repertoire from a Hispanic angle.\u003c\/p\u003e\n\u003cp\u003eBoth conductors made early and near-definitive recordings of\u003cspan\u003e \u003c\/span\u003e\u003cem\u003eNights in the Gardens of Spain\u003c\/em\u003e, by Falla, and this set presents a fascinating opportunity to compare their approaches. Argenta’s career tragically ended with his death in 1958, aged just 44, while Jordá made a series of erratic career moves which culminated in an ill-starred tenure as music director in San Francisco. Under other circumstances, both conductors could have established a ‘Spanish school’ of conducting in the stereo age of the 1960s. This set illuminates the virtues of their common approaches to music, which through their Franco-German training in both cases brought together a sure grasp of form and rigour with a sensitivity to orchestral colour. The nature of that formation is explored in a new booklet essay written by Peter Quantrill, and the recordings are reissued in Eloquence’s ‘Original Jackets’ format.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eLIMITED EDITION\u003c\/strong\u003e\u003c\/p\u003e\n\u003cdiv class=\"section-toggle\"\u003e\n\u003cdiv class=\"table\"\u003e\n\u003cdiv class=\"cell text-left\"\u003e***\u003c\/div\u003e\n\u003cdiv class=\"cell text-left\"\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003cdiv class=\"cell text-left\"\u003e\n\u003cstrong\u003eTRACK LISTING \/ ARTISTS\u003c\/strong\u003e \u003c\/div\u003e\n\u003cdiv class=\"cell text-left\"\u003e\n\u003cspan class=\"fa fa-angle-up\"\u003e\u003c\/span\u003e\u003cbr\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"cell text-left\"\u003e\n\u003cmeta charset=\"UTF-8\"\u003e\n\u003cp\u003e\u003cstrong\u003eCD 1\u003cbr\u003e\u003cbr\u003eALBÉNIZ:\u003cspan\u003e \u003c\/span\u003e\u003c\/strong\u003eIberia\u003cbr\u003e\u003cstrong\u003eTURINA:\u003cspan\u003e \u003c\/span\u003e\u003c\/strong\u003eDanzas fantásticas\u003cbr\u003e\u003cstrong\u003eOrchestre de la Société des Concerts du Conservatoire de Paris \/ Ataúlfo Argenta\u003cbr\u003e\u003cbr\u003eCD 2\u003cbr\u003e\u003cbr\u003eBERLIOZ:\u003cspan\u003e \u003c\/span\u003e\u003c\/strong\u003eSymphonie fantastique\u003cbr\u003e\u003cstrong\u003eOrchestre de la Société des Concerts du Conservatoire de Paris \/ Ataúlfo Argenta\u003cbr\u003e\u003cbr\u003eCD 3\u003cbr\u003e\u003cbr\u003eESPAÑA – Rimsky-Korsakov, Granados, Chabrier, Moszkowski\u003cbr\u003eLondon Symphony Orchestra\u003cbr\u003eDEBUSSY:\u003cspan\u003e \u003c\/span\u003e\u003c\/strong\u003eImages pour orchestre\u003cbr\u003e\u003cstrong\u003eOrchestre de la Suisse Romande\u003cbr\u003eAtaúlfo Argenta\u003cbr\u003e\u003cbr\u003eCD 4\u003cbr\u003e\u003cbr\u003eFALLA:\u003cspan\u003e \u003c\/span\u003e\u003c\/strong\u003eHarpsichord Concerto\u003cbr\u003e\u003cstrong\u003eRobert Veyron-Lacroix,\u003cspan\u003e \u003c\/span\u003e\u003c\/strong\u003eharpsichord\u003cbr\u003eEl retablo de Maese Pedro\u003cbr\u003e\u003cstrong\u003eJulita Bermejo,\u003c\/strong\u003e\u003cspan\u003e \u003c\/span\u003esoprano\u003cbr\u003e\u003cstrong\u003eCarlos Munguia,\u003c\/strong\u003e\u003cspan\u003e \u003c\/span\u003etenor\u003cbr\u003e\u003cstrong\u003eRaimundo Torres,\u003c\/strong\u003e\u003cspan\u003e \u003c\/span\u003ebaritone\u003cbr\u003e\u003cstrong\u003eOrquesta Nacional de España \/ Ataúlfo Argenta\u003cbr\u003e\u003c\/strong\u003eFIRST CD RELEASE ON DECCA\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eCD 5\u003cbr\u003e\u003cbr\u003eGRANADOS:\u003cspan\u003e \u003c\/span\u003e\u003c\/strong\u003eGoyescas\u003cbr\u003e\u003cstrong\u003eAna Maria Iriarte,\u003cspan\u003e \u003c\/span\u003e\u003c\/strong\u003esoprano\u003cbr\u003e\u003cstrong\u003eConsuelo Rubio,\u003c\/strong\u003e\u003cspan\u003e \u003c\/span\u003esoprano\u003cbr\u003e\u003cstrong\u003eManuel Ausensi,\u003cspan\u003e \u003c\/span\u003e\u003c\/strong\u003ebaritone\u003cbr\u003e\u003cstrong\u003eGines Torrano,\u003c\/strong\u003e\u003cspan\u003e \u003c\/span\u003etenor\u003cbr\u003e\u003cstrong\u003eCoros Cantores de Madrid\u003cbr\u003eOrquesta Nacional de España \/ Ataúlfo Argenta\u003cbr\u003e\u003c\/strong\u003eFIRST CD RELEASE ON DECCA\u003cbr\u003e\u003cbr\u003e\u003cstrong\u003eCD 6\u003cbr\u003e\u003cbr\u003eHALFFTER:\u003cspan\u003e \u003c\/span\u003e\u003c\/strong\u003eSinfonietta\u003cbr\u003e\u003cstrong\u003eGURIDI:\u003cspan\u003e \u003c\/span\u003e\u003c\/strong\u003eTen Basque Melodies\u003cbr\u003e\u003cstrong\u003eALBÉNIZ:\u003cspan\u003e \u003c\/span\u003e\u003c\/strong\u003eNavarra\u003cbr\u003e\u003cstrong\u003eTURINA:\u003cspan\u003e \u003c\/span\u003e\u003c\/strong\u003eLa Procesión del Rocío; La Oración del torero\u003cbr\u003e\u003cstrong\u003eOrquesta Nacional de España \/ Ataúlfo Argenta\u003cbr\u003e\u003c\/strong\u003eFIRST CD RELEASE ON DECCA\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eCD 7\u003cbr\u003e\u003cbr\u003eLISZT:\u003cspan\u003e \u003c\/span\u003e\u003c\/strong\u003eEine Faust-Symphonie*\u003cbr\u003eLes Préludes\u003cbr\u003e\u003cstrong\u003eOrchestre de la Suisse Romande \/ Ataúlfo Argenta\u003cbr\u003e\u003c\/strong\u003e*FIRST CD RELEASE IN STEREO ON DECCA\u003cbr\u003e\u003cbr\u003e\u003cstrong\u003eCD 8\u003cbr\u003e\u003cbr\u003eLISZT:\u003cspan\u003e \u003c\/span\u003e\u003c\/strong\u003ePiano Concertos Nos. 1 \u0026amp; 2\u003cbr\u003e\u003cstrong\u003eJulius Katchen; London Philharmonic Orchestra \/ Ataúlfo Argenta\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eCD 9\u003cbr\u003e\u003cbr\u003eOHANA:\u003cspan\u003e \u003c\/span\u003e\u003c\/strong\u003eLlanto por Ignacio Sanchez Mejias; Sarabande\u003cbr\u003e\u003cstrong\u003eDenyse Gouarne,\u003cspan\u003e \u003c\/span\u003e\u003c\/strong\u003eharpsichord (Sarabande)\u003cbr\u003e\u003cstrong\u003eMauricio Molho,\u003cspan\u003e \u003c\/span\u003e\u003c\/strong\u003espeaker (Llanto)\u003cbr\u003e\u003cstrong\u003eBernard Cottret,\u003cspan\u003e \u003c\/span\u003e\u003c\/strong\u003ebaritone (Llanto)\u003cbr\u003e\u003cstrong\u003eChœur des Cento Soli\u003cspan\u003e \u003c\/span\u003e\u003c\/strong\u003e(Llanto)\u003cbr\u003e\u003cstrong\u003eOrchestre des Cento Soli \/ Ataúlfo Argenta\u003cbr\u003e\u003cbr\u003eCD 10\u003cbr\u003e\u003cbr\u003eRAVEL:\u003cspan\u003e \u003c\/span\u003e\u003c\/strong\u003eRapsodie espagnole*\u003cbr\u003eMa mère l’oye*; Alborada; Pavane*\u003cbr\u003e\u003cstrong\u003eOrchestre des Cento Soli \/ Ataúlfo Argenta\u003cbr\u003e\u003c\/strong\u003e*FIRST CD RELEASE\u003cbr\u003e\u003cbr\u003e\u003cstrong\u003eCD 11\u003cbr\u003e\u003cbr\u003eRODRIGO:\u003c\/strong\u003e\u003cspan\u003e \u003c\/span\u003eConcierto de Aranjuez\u003cbr\u003e\u003cstrong\u003eNarciso Yepes,\u003c\/strong\u003e\u003cspan\u003e \u003c\/span\u003eguitar\u003cbr\u003e\u003cstrong\u003eFALLA:\u003c\/strong\u003e\u003cspan\u003e \u003c\/span\u003eNoches en los jardines de España\u003cbr\u003e\u003cstrong\u003eGonzalo Soriano,\u003c\/strong\u003e\u003cspan\u003e \u003c\/span\u003epiano\u003cbr\u003e\u003cstrong\u003eOrquesta Nacional de España \/ Ataúlfo Argenta\u003cbr\u003e\u003c\/strong\u003eFIRST CD RELEASE ON DECCA\u003cbr\u003e\u003cbr\u003e\u003cstrong\u003eCD 12\u003cbr\u003e\u003cbr\u003eSCHUBERT:\u003c\/strong\u003e\u003cspan\u003e \u003c\/span\u003eSymphony No. 9\u003cbr\u003e\u003cstrong\u003eOrchestre des Cento Soli \/ Ataúlfo Argent\u003cbr\u003e\u003cbr\u003eCD 13\u003cbr\u003e\u003cbr\u003eTCHAIKOVSKY:\u003c\/strong\u003e\u003cspan\u003e \u003c\/span\u003eSymphony No. 4\u003cbr\u003e\u003cstrong\u003eOrchestre de la Suisse Romande\u003cbr\u003e\u003c\/strong\u003eViolin Concerto\u003cbr\u003e\u003cstrong\u003eAlfredo Campoli; London Symphony Orchestra \/ Ataúlfo Argenta\u003cbr\u003e\u003cbr\u003eCD 14\u003cbr\u003e\u003cbr\u003eHAYDN:\u003c\/strong\u003e\u003cspan\u003e \u003c\/span\u003eSymphony No. 88\u003cbr\u003e\u003cstrong\u003eNational Symphony Orchestra\u003cbr\u003eMOZART:\u003c\/strong\u003e\u003cspan\u003e \u003c\/span\u003eSymphony No. 36\u003cbr\u003e\u003cstrong\u003eLondon Symphony Orchestra\u003cbr\u003eLISZT:\u003c\/strong\u003e\u003cspan\u003e \u003c\/span\u003eLes Préludes\u003cbr\u003e\u003cstrong\u003eOrchestre de la Société des Concerts du Conservatoire de Paris\u003cbr\u003eEnrique Jordá\u003cbr\u003e\u003c\/strong\u003eFIRST RELEASE ON CD\u003cbr\u003e\u003cbr\u003e\u003cstrong\u003eCD 15\u003cbr\u003e\u003cbr\u003eBRAHMS:\u003c\/strong\u003e\u003cspan\u003e \u003c\/span\u003ePiano Concerto No. 1\u003cbr\u003e\u003cstrong\u003eClifford Curzon; National Symphony Orchestra\u003cbr\u003eMUSSORGSKY:\u003cspan\u003e \u003c\/span\u003e\u003c\/strong\u003eDawn over the Moscow River (Khovanshchina)*\u003cbr\u003e\u003cstrong\u003eLondon Symphony Orchestra\u003cbr\u003eRIMSKY-KORSAKOV:\u003cspan\u003e \u003c\/span\u003e\u003c\/strong\u003eRussian Easter Festival Overture*\u003cbr\u003e\u003cstrong\u003eNational Symphony Orchestra\u003cbr\u003eEnrique Jordá\u003cbr\u003e\u003c\/strong\u003e*FIRST RELEASE ON CD\u003cbr\u003e\u003cbr\u003e\u003cstrong\u003eCD 16\u003cbr\u003e\u003cbr\u003eDEBUSSY:\u003cspan\u003e \u003c\/span\u003e\u003c\/strong\u003eLa Damoiselle élue – Prélude\u003cbr\u003e\u003cstrong\u003eDUKAS:\u003cspan\u003e \u003c\/span\u003e\u003c\/strong\u003eL’apprenti sorcier\u003cbr\u003e\u003cstrong\u003eALBÉNIZ:\u003cspan\u003e \u003c\/span\u003e\u003c\/strong\u003eEl Puerto (Iberia)\u003cbr\u003e\u003cstrong\u003eTURINA:\u003cspan\u003e \u003c\/span\u003e\u003c\/strong\u003eDanzas fantásticas\u003cbr\u003e\u003cstrong\u003eNational Symphony Orchestra \/ Enrique Jordá\u003cbr\u003e\u003c\/strong\u003eFIRST RELEASE ON CD\u003cbr\u003e\u003cbr\u003e\u003cstrong\u003eCD 17\u003cbr\u003e\u003cbr\u003eFALLA:\u003c\/strong\u003e\u003cspan\u003e \u003c\/span\u003eEl amor brujo*Noches en los jardines de España [rec. 1945]\u003cbr\u003e\u003cstrong\u003eClifford Curzon; National Symphony Orchestra\u003cbr\u003e\u003c\/strong\u003eEl sombrero de tres picos (Part I – excerpts)*\u003cbr\u003e\u003cstrong\u003eLondon Symphony Orchestra\u003cbr\u003e\u003c\/strong\u003eEl sombrero de tres picos (Part I – excerpts)*\u003cbr\u003e\u003cstrong\u003eNational Symphony Orchestra\u003cbr\u003eEnrique Jordá\u003cbr\u003e\u003c\/strong\u003e*FIRST RELEASE ON CD\u003cbr\u003e\u003cbr\u003e\u003cstrong\u003eCD 18\u003cbr\u003e\u003cbr\u003eDUKAS:\u003cspan\u003e \u003c\/span\u003e\u003c\/strong\u003eL’apprenti sorcier\u003cstrong\u003e\u003cbr\u003eGLINKA:\u003cspan\u003e \u003c\/span\u003e\u003c\/strong\u003eRuslan and Lyudmila – Overture\u003cbr\u003e\u003cstrong\u003eCHABRIER:\u003cspan\u003e \u003c\/span\u003e\u003c\/strong\u003eDanse slave (Le Roi malgré lui)\u003cbr\u003e\u003cstrong\u003eFALLA:\u003cspan\u003e \u003c\/span\u003e\u003c\/strong\u003eDanza española No. 1 (La vida breve)\u003cbr\u003e\u003cstrong\u003eGRANADOS:\u003cspan\u003e \u003c\/span\u003e\u003c\/strong\u003eDanzas españolas, H. 142\u003cbr\u003e\u003cstrong\u003eTURINA:\u003cspan\u003e \u003c\/span\u003e\u003c\/strong\u003eLa Procesión del Rocío\u003cbr\u003e\u003cstrong\u003eALBÉNIZ:\u003cspan\u003e \u003c\/span\u003e\u003c\/strong\u003eEl Puerto; Triana (Iberia)\u003cbr\u003e\u003cstrong\u003eTCHAIKOVSKY:\u003cspan\u003e \u003c\/span\u003e\u003c\/strong\u003eFrancesca da Rimini\u003cbr\u003e\u003cstrong\u003eOrchestre de la Société des Concerts du Conservatoire de Paris \/ Enrique Jordá\u003cbr\u003e\u003cbr\u003eCD 19\u003cbr\u003e\u003cbr\u003eFALLA:\u003c\/strong\u003e\u003cspan\u003e \u003c\/span\u003eNoches en los jardines de España [rec. 1951]\u003cbr\u003e\u003cstrong\u003eClifford Curzon\u003cbr\u003eDVOŘÁK\u003cspan\u003e \u003c\/span\u003e\u003c\/strong\u003eSymphony No. 9\u003cbr\u003e\u003cstrong\u003eNew Symphony Orchestra of London \/ Enrique Jordá\u003cbr\u003e\u003cbr\u003eCD 20\u003cbr\u003e\u003cbr\u003eRODRIGO:\u003cspan\u003e \u003c\/span\u003e\u003c\/strong\u003eFantasía para un gentilhombre\u003cbr\u003e\u003cstrong\u003ePONCE:\u003cspan\u003e \u003c\/span\u003e\u003c\/strong\u003eConcierto del sur\u003cbr\u003e\u003cstrong\u003eBOCCHERINI:\u003cspan\u003e \u003c\/span\u003e\u003c\/strong\u003eConcerto in D major, G. 476\u003cbr\u003e\u003cstrong\u003eAndrés Segovia; Symphony of the Air \/ Enrique Jordá\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eARTISTS\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eCDs 1–13: ATAÚLFO ARGENTA\u003cbr\u003eCDs 14–20: ENRIQUE JORDÁ\u003c\/strong\u003e\u003c\/p\u003e\n\u003cspan class=\"fa fa-angle-up\"\u003e\u003c\/span\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e","brand":"Buywell Music","offers":[{"title":"Default Title","offer_id":47634810667171,"sku":"4847819","price":180.0,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0079\/6527\/8271\/files\/4847819_Argenta-Jorda_Cover.jpg?v=1778154302"},{"product_id":"debussy-24-preludes-vivienne-westwood-edition","title":"Debussy 24 Preludes (Vivienne Westwood Edition)","description":"\u003ch3\u003eDebussy 24 Preludes (Vivienne Westwood Edition)\u003c\/h3\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eJean-Yves Thibaudet (piano)\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eJean-Yves Thibaudet’s classic recording of Debussy’s Preludes with Vivienne Westwood created artwork. One of Vivienne Westwood’s last creations before she died in December 2022, the design includes a personal tribute from Jean-Yves to Vivienne Westwood, as she was a familiar face at Thibaudet’s concerts. They first met in 2000 and became lifelong friends. Westwood designed all his concert clothing. Thibaudet’s Debussy is a reference recording: “Thibaudet is definitely at his best in the Preludes.”\u003c\/span\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-sheets-root=\"1\" data-sheets-value='{\"1\":2,\"2\":\"Jean-Yves Thibaudet’s classic recording of Debussy’s Preludes with Vivienne Westwood created artwork. One of Vivienne Westwood’s last creations before she died in December 2022, the design includes a personal tribute from Jean-Yves to Vivienne Westwood, as she was a familiar face at Thibaudet’s concerts. They first met in 2000 and became lifelong friends. Westwood designed all his concert clothing. Thibaudet’s Debussy is a reference recording: “Thibaudet is definitely at his best in the Preludes.”TRACK LIST\\nCLAUDE DEBUSSY\\nPréludes - Books I \u0026amp;amp; II\\n \\nARTISTS\\nJean-Yves Thibaudet, piano\"}' data-sheets-userformat='{\"2\":12352,\"9\":1,\"15\":\"Arial\",\"16\":11}'\u003eTRACK LIST\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eCLAUDE DEBUSSY\u003cbr\u003ePréludes - Books I and II\u003c\/p\u003e\n\u003cp class=\"p1\"\u003e***\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eDecca CD\u003c\/em\u003e\u003cbr\u003e\u003cem\u003e\u003cspan\u003e4854965\u003c\/span\u003e\u003c\/em\u003e\u003c\/p\u003e","brand":"Buywell Music","offers":[{"title":"Default Title","offer_id":47674574962851,"sku":"4854965","price":28.0,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0079\/6527\/8271\/files\/Jean-Yves-Thibaudet-Debussy-24-Preludes-CD.png?v=1778917142"},{"product_id":"eric-whitacre-light-gold","title":"Eric Whitacre - Light \u0026 Gold","description":"\u003ch3\u003e\u003cstrong\u003eEric Whitacre: Light \u0026amp; Gold\u003c\/strong\u003e\u003c\/h3\u003e\n\u003cp\u003eGrace Davidson (soprano), Stephen Kennedy (baritone), Hila Plitmann (spoken Hebrew) \u0026amp; Christopher Glynn (piano)\u003c\/p\u003e\n\u003cp\u003eThe Eric Whitacre Singers, Laudibus, The King’s Singers \u0026amp; Pavão Quartet, Eric Whitacre\u003c\/p\u003e\n\u003cp\u003e***\u003c\/p\u003e\n\u003cp\u003eEric Whitacre (b. 1970), accomplished composer, conductor and lecturer, is one of the most popular and performed composers of his generation. His published works – of which “Sleep,” “Cloudburst,” “Lux Aurumque” and “Water Night” are among the most popular in the modern repertoire – have sold over a million copies worldwide. Paradise Lost: Shadows and Wings, Eric’s cutting-edge musical, has won the ASCAP Harold Arlen award, the prestigious Richard Rodgers Award and 10 Ovation Award nominations. In the US he is greeted with “rock star adulation” (New York Times) and his Virtual Choir projects have given him a worldwide following on YouTube, marking a new digital age for classical music (http:\/\/www.youtube.com\/watch?v=D7o7BrlbaDs). In 2010 he signed to Decca, and is published by Chester Music.\u003c\/p\u003e\n\u003cp\u003eLight and Gold is a mixture of works from the Whitacre catalogue alongside three World Premiere recordings of new pieces, all of them freshly recorded for the occasion. It's the perfect gateway through which new listeners can experience the allure of Whitacre's music for the first time, while giving existing fans pristine new recordings of some of his most successful pieces, tailored by the composer himself. \"This album is the first time that I've ever conducted on record my interpretations of my own pieces,\" Whitacre explains. \"The new pieces haven't been recorded before. Previous recordings of the older works have always been nice, but they've never been exactly what I was hoping they would be. That's the most interesting part for me; it's finally a chance to say it the way I'd like to say it.\" The pieces on the disc are performed by the British chamber choir, Laudibus, alongside Whitacre’s newly-created vocal group, the Eric Whitacre Singers.\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e\u003c\/em\u003e\u003cstrong\u003eContents:\u003c\/strong\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003eWhitacre: Lux aurumque\u003cbr\u003eWhitacre: Five Hebrew Love Songs: Temuná (A Picture)\u003cbr\u003eWhitacre: Five Hebrew Love Songs: Kalá Kallá (Light Bride)\u003cbr\u003eWhitacre: Five Hebrew Love Songs: Lárov (Mostly)\u003cbr\u003eWhitacre: Five Hebrew Love Songs: Éyze Shéleg! (What Snow!)\u003cbr\u003eWhitacre: Five Hebrew Love Songs: Rakút (Tenderness)\u003cbr\u003eWhitacre: The Seal Lullaby\u003cbr\u003eWhitacre: A Boy and a Girl\u003cbr\u003eWhitacre: Leonardo dreams of his flying machine\u003cbr\u003eWhitacre: Three Songs Of Faith: I Will Wade Out\u003cbr\u003eWhitacre: Three Songs Of Faith: Hope Faith Life Love\u003cbr\u003eWhitacre: Three Songs Of Faith: I Thank You God For Most This Amazing Day\u003cbr\u003eWhitacre: The Stolen Child\u003cbr\u003eWhitacre: Water Night\u003cbr\u003eWhitacre: Nox Aurumque\u003cbr\u003eWhitacre: Sleep\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e*** ***\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eDecca CD\u003cbr\u003e2743209\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e","brand":"Buywell Music","offers":[{"title":"Default Title","offer_id":47708704112803,"sku":"2743209","price":15.0,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0079\/6527\/8271\/files\/eyJidWNrZXQiOiJwcmVzdG8tY292ZXItaW1hZ2VzIiwia2V5IjoiNzk4OTcxOC4xLmpwZyIsImVkaXRzIjp7InJlc2l6ZSI6eyJ3aWR0aCI6OTAwfSwid2VicCI6eyJxdWFsaXR5Ijo2NX0sInRvRm9ybWF0Ijoid2VicCJ9LCJ0aW1lc3RhbXA.webp?v=1779859258"},{"product_id":"pride-prejudice-ost","title":"Pride \u0026 Prejudice OST","description":"\u003ch3\u003e\u003cspan\u003ePride \u0026amp; Prejudice\u003c\/span\u003e\u003c\/h3\u003e\n\u003cp\u003e\u003cspan\u003eMusic from the motion picture composed by Dario Marianelli\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eJean-Yves Thibaudet (piano)\u003cbr\u003eEnglish Chamber Orchestra\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eWith technique to burn but poetry at the fore, Jean-Yves Thibaudet’s recordings of the two Liszt concertos have always held a special affection in many a music-lover’s heart. They are reissued as per the original CD couplings – with the demonic ‘Totentanz’ and the multi-coloured ‘Hungarian Fantasy’\u003c\/span\u003e\u003cem\u003e.\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003e\u003cem\u003eTrack List:\u003c\/em\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e1. Dawn\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e2. Stars and Butterflies\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e3. The Living Sculptures of Pemberley\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e4. Meryton Townhall\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e5. The Militia Marches In\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e6. Georgiana\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e7. Arrival To Netherfield\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e8. A Postcard to Henry Purcell\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e9. Liz on Top of the World\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e10. Leaving Netherfield\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e11. Another Dance\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e12. The Secret Life of Daydreams\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e13. Darcy's Letter\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e14. Can't Slow Down\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e15. Your Hands Are Cold\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e16. Mrs Darcy\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e17. End Credits (Pride \u0026amp; Prejudice)\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eJean-Yves Thibaudet,\u003cspan\u003e \u003c\/span\u003e\u003c\/strong\u003epiano\u003cbr\u003e\u003cb\u003eEnglish Chamber Orchestra\u003c\/b\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e","brand":"Buywell Music","offers":[{"title":"Default Title","offer_id":47712558383267,"sku":"9873100","price":15.0,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0079\/6527\/8271\/files\/eyJidWNrZXQiOiJwcmVzdG8tY292ZXItaW1hZ2VzIiwia2V5IjoiODA4MzM4MS4xLmpwZyIsImVkaXRzIjp7InJlc2l6ZSI6eyJ3aWR0aCI6OTAwfSwid2VicCI6eyJxdWFsaXR5Ijo2NX0sInRvRm9ybWF0Ijoid2VicCJ9LCJ0aW1lc3RhbXA.webp?v=1779926026"}],"url":"https:\/\/buywellmusic.com\/collections\/catalogue-august-september.oembed?page=2","provider":"Buywell Music","version":"1.0","type":"link"}